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Group show in Vienna discusses the relationship between art, culture and media

(Vienna, Áustria) The starting point of “Welt Kompakt? Out of Brazil”, on view at Museumsquartier Wien, was a deep research into Latin America, an effort that included meetings with artists and activists such as PIPA Prize nominees Fabiana Faleiros, Jaime Laureano and Luiz Roque. The result is a group show that questions the relationship between contemporary art and the processes of cultural and media adoption.

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“Sobreexposición” discusses the role of the image in contemporary age

(Montevideo, Uruguay) Has the art of self-portraiture become banal after the explosion of the selfie? Without the intention of developing a moralizing thesis or reaching a factual conclusion, “Sobreexposición”, currently on view at the Espacio de Arte Contemporaneo, investigates the subject, proposing a dialogue by putting together works that reflect upon the excess of self-portraits and portraits today. Fifteen artists participate in the show, including PIPA Prize 2015 nominee Felipe Cama.

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The crowdfunding for “Liberation 4.0”, new project developed by Daniel Beerstecher, ends with 100% of its funding

The crowdfunding for “Liberation 4.0″, new project developed by PIPA Prize 2016 Nominee Daniel Beerstecher, came to an end last Saturday and, thanks to the audience’s support, the estimated amount to finance the project was not only achieved, but also exceeded. “Above all, I’d like to thank everyone who has helped me in this project,” states the artist. “Without you, this project wouldn’t be possible!”

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Last day to vote on PIPA Online 2017

*The author of the work displayed on this post, “Experimentando o vermelho em dilúvio”, 2014,” is artist Musa Michelle Mattiuzzi The second round of PIPA Online 2017 ends today, at midnight. After a week full of surprises, however, don’t expect the competition’s last moments to be without some turbulence: our ballots show that every voting…

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PIPA Online 2017 ended | Meet the winners today at 8 PM (GMT)

  The second round of PIPA Online 2017 ended last Sunday, August 6th at midnight. During seven days of voting, more than 12,000 votes were counted. The announcement of the winner and runner-up will be this Monday, at 8 PM (GMT), exclusively by PIPA sites. By voting rules, each “voter” could vote on as many…

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PIPA Online 2017 | View the scoreboard on the 6th day of voting

PIPA Online 2017 is coming to an end, finishing this Sunday, August 6th. After a week full of surprises, however, don’t expect the competition’s last moments to be without some turbulence: our ballots show that every voting day has gathered approximately 1,000 new votes, summing up to 7,500 votes in total. We remind you that, although…

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PIPA Online 2017 | View the scoreboard on the 5th day of voting

PIPA Online 2017 is coming to an end, finishing this Sunday, August 6th. After a week full of surprises, however, don’t expect the competition’s last moments to be without turbulence: our ballots show that every voting day has gathered approximately 1,000 new votes, summing up to 6,500 in total. Those amongst the 12 participating artists who have, respectively, the first and second highest number of votes, will receive prizes of R$10,000 and R$5,000. The winners’ announcement will take place next Monday, August 7th.

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O Grivo participates in group show centered in the role of sound in contemporary art

(São Francisco, US) “Soundtracks”, which opened at the San Francisco Museum of Modern Art (SFMOMA) last month, is the museum’s first large-scale group exhibition centered on the role of sound in contemporary art. The show is on view until January 2018 and presents past SFMOMA commissions by Brian Eno and Bill Fontana, as well as new and diverse work from over twenty contemporary artists, including the duo O Grivo, nominated for PIPA Prize 2010.

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Doppelgängers and doubles guide exhibition curated by Rodrigo Moura

(Dallas, US) Curated by PIPA Prize 2010 Nominating Committee member Rodrigo Moura, “Doubles, dobros, pliegues, pares, twins, mitades” takes the literary figure of the doppelgäger to another realm: that of the visual arts. The exhibition, on view at The Warehouse Dallas since July, thus creates an inventory of situations in which otherness and duplication/repetition are manifested, from replicas, shadowing, and mirroring to logical-formal exercises that are expressed by the use of halves and doubles.

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