On this interview, Henrique César answers a question of the curator Thereza Farkas and tells how his references are all around him. For the artist, anything can influence what happens in his studio. “I have an idea of a performance. Then, instead of writing about this performance i get my gouache and some paper. Then I start drawing, for example, a scene of this performance.”

Watch the video:

Since the first year of the prize PIPA, in 2010, Matrioska Filmes produces video-interviews with the PIPA nominees.

Pointing out the importance of this production, MAM-Rio’s curator, Luiz Camillo Osorio, says:

When PIPA invited Matrioska film production to make these videos, its goal was to build a small database on Brazilian contemporary art. If the prize aims to recognize and distinguish, the building of a contemporary memory looked for an amplified analysis of the circuit. (…)

We are sure that the continuity of these records and their combination with the renewal of the artists’ pages – that has to be made in partnership with the artists and their respective galleries – will maximize the relevance of this database. A growing number of interested people, from researchers to collectors, have began using the PIPA website for the benefit of all. - extract from the text “Hunger for files”

Blind Field

Brazil has long been called “the country of the future.” From the dramatic construction of the ultramodern capital of Brasília in the late 1950s to the country’s status as an emerging economic powerhouse in the 21st century, Brazilian national identity is inextricably intertwined with the idea of its potentiality. Yet the Brazilian saying from which this idea derives is more complex, for it suggests that the notion of potentiality is itself something of a mirage, an illusion that blinds its citizens to the reality of the present day. In 1970, the French sociologist and philosopher Henri Lefebvre described the “blind field” as a transitional zone that lies between socio-economic modes of production and escapes comprehension within existing ideological paradigms. This exhibition takes up blindness as a critical category, a metaphor for the way in which the obstruction of perception can illuminate alternate modes of knowledge and experience. It focuses on a young generation of artists working in Brazil who offer a critical perspective on processes of transition within contemporary society, be it from the public space of the street to the virtual zone of the computer screen, or the scale of local communities to the structure of large-scale political action. These works speak to the complexity and heterogeneity of an art milieu that is both tied to the local and manifestly global in reach.

PROPOSED ARTISTS:
Jonathas de Andrade (b. 1982 Maceió, works in Recife), Tatiana Blass (b. 1979 São Paulo, works in São Paulo), Marcelo Cidade (b. 1978 São Paulo, works in São Paulo), Carolina Cordeiro, Marilá Dardot (b. 1973 Belo Horizonte, works in São Paulo), Marcius Galan (b. 1972 USA, works in São Paulo), Cao Guimarães (b. 1965 Belo Horizonte, works in Belo Horizonte), André Komatsu (b. 1978 São Paulo, works in São Paulo), Graziela Kunsch (b. 1979 Great Britain, works in São Paulo), Cinthia Marcelle (b. 1974 Belo Horizonte, works in Belo Horizonte), Lais Myrrha (b. 1974 Belo Horizonte, works in São Paulo), Nicolás Robbio (b. 1975 Argentina, works in São Paulo), Daniel Steegman Mangrané (b. Spain 1977, works in Rio de Janeiro), Rodrigo Matheus (b. 1974 São Paulo, works in São Paulo), Carlos Mélo (b. 1969 Riacho das Almos, works in Recife), Matheus Rocha Pitta (b. 1980 Tiradentes, works in Rio de Janeiro), Thiago Rocha Pitta (b. 1980 Tiradentes, works in São Paulo), Marcelo Sola (b. 1971 Goiânia, works in Goiânia), Marcio Shimabukuro (b. 1978 São Paulo, works in São Paulo), and Héctor Zamora (b. 1974 Mexico, works in São Paulo)

Organizer:
Krannert Art Museum, University of Illinois at Urbana-Champaign

Curators:
Tumelo Mosaka, Curator of Contemporary Art
Prior to joining KAM, he was the Associate Curator of Exhibitions at the Brooklyn Museum where he organized the exhibitions, Infinite Islands: Contemporary Caribbean Art (2007), Passing/Posing: Kehinde Wiley (2004); he was also co-curator of Open House: Working in Brooklyn (2004). In addition he organized the presentation of Alexis Rockman’s monumental mural Manifest Destiny (2004), Petah Coyne (2008) and co-organized @ Murakami (2008).

Previously, he worked for the Spoleto Festival USA in Charleston, South Carolina where he co-curated the exhibition Evoking History (2002). Mosaka has organized several national and international exhibitions for other institutions such as the National Center for Afro-American Arts (2004) and the St. Louis Contemporary Art Museum (2003). He was born in Johannesburg, South Africa and currently lives and works in Champaign, Illinois.

Irene Small, assistant professor, Art History, University of Illinois at Urbana-Champaign
Irene V. Small’s area of study includes Modern and Contemporary Art History at the University of Illinois at Urbana-Champaign. Her current book project, Hélio Oiticica: Folding the Frame, focuses on the emergence of a participatory art paradigm in mid-1960s Brazil. The project has been supported by the Creative Capital and Andy Warhol Foundations, the Getty Research Institute, the Dedalus Foundation, and the Research Board of the University of Illinois at Urbana-Champaign. Her research interests include historical and neo-avant-gardes; modernism in a global context, particularly Brazil and Latin America; abstraction; problems of methodology and interpretation; relationality and the social implications of form. Small has published essays and criticism in several journals including Artforum, Art Asia Pacific, Getty Research Journal, Res: Anthropology and Aesthetics, and Spectator. Forthcoming essays consider autopoiesis and the notion of medium specificity (for the anthology Contemporary Art: Themes and Histories, 1989–Present, Wiley-Blackwell) and intersections between the historiography of the avant-garde and ideologies of development in 1960s Brazil (for the London-based journal Third Text). She received her Ph.D. from Yale University in 2008.

Amongst the participating artists are PIPA nominees André Komatsu (2010 nominee and 2011 finalist), Carlos Mélo (2011 nominee), Cinthia Marcelle (2010 finalist and 2013 nominee), Daniel Steegman Mangrané (2012 and 2013 nominee), Héctor Zamora (PIPA 2011 nominee), Jonathas de Andrade (2011 finalist and 2010 nominee), Lais Myrrha (PIPA 2010, 2012 and 2013 nominee), Marcelo Cidade (PIPA 2010 and 2011 nominee), Marcelo Solá (PIPA 2010 nominee), Marcio Shimabokuro – Shima (PIPA 2013 nominee), Marilá Dardot (2010 and 2011 nominee), Marcius Galan (2010 finalist and PIPA 2012 winner), Matheus Rocha Pitta (2011 and 2013 nominee and 2012 finalist), Rodrigo Matheus (2010, 2011, 2012 and 2013 nominee), Tatiana Blass (winner of PIPA 2011 and Popular Vote 2011, 2010 nominee) and Thiago Rocha Pitta (2010 and 2011 nominee and 2012 finalist).

Blind Field
June 7th to September 8th, 2013

Eli and Edythe Broad Art Museum, Michigan State University
East Circle Drive
East Lansing, MI 48824
Michigan

Brazil has long been called “the country of the future.” From the dramatic construction of the ultramodern capital of Brasília in the late 1950s to the country’s status as an emerging economic powerhouse in the 21st century, Brazilian national identity is inextricably intertwined with the idea of its potentiality. Yet the Brazilian saying from which this idea derives is more complex, for it suggests that the notion of potentiality is itself something of a mirage, an illusion that blinds its citizens to the reality of the present day. In 1970, the French sociologist and philosopher Henri Lefebvre described the “blind field” as a transitional zone that lies between socio-economic modes of production and escapes comprehension within existing ideological paradigms. This exhibition takes up blindness as a critical category, a metaphor for the way in which the obstruction of perception can illuminate alternate modes of knowledge and experience. It focuses on a young generation of artists working in Brazil who offer a critical perspective on processes of transition within contemporary society, be it from the public space of the street to the virtual zone of the computer screen, or the scale of local communities to the structure of large-scale political action. These works speak to the complexity and heterogeneity of an art milieu that is both tied to the local and manifestly global in reach.

PROPOSED ARTISTS:
Jonathas de Andrade (b. 1982 Maceió, works in Recife), Tatiana Blass (b. 1979 São Paulo, works in São Paulo), Marcelo Cidade (b. 1978 São Paulo, works in São Paulo), Carolina Cordeiro, Marilá Dardot (b. 1973 Belo Horizonte, works in São Paulo), Marcuis Galan (b. 1972 USA, works in São Paulo), Cao Guimarães (b. 1965 Belo Horizonte, works in Belo Horizonte), André Komatsu (b. 1978 São Paulo, works in São Paulo), Graziela Kunsch (b. 1979 Great Britain, works in São Paulo), Cinthia Marcelle (b. 1974 Belo Horizonte, works in Belo Horizonte), Lais Myrrha (b. 1974 Belo Horizonte, works in São Paulo), Nicolás Robbio (b. 1975 Argentina, works in São Paulo), Daniel Steegman Mangrané (b. Spain 1977, works in Rio de Janeiro), Rodrigo Matheus (b. 1974 São Paulo, works in São Paulo), Carlos Mélo (b. 1969 Riacho das Almos, works in Recife), Matheus Rocha Pitta (b. 1980 Tiradentes, works in Rio de Janeiro), Thiago Rocha Pitta (b. 1980 Tiradentes, works in São Paulo), Marcelo Sola (b. 1971 Goiânia, works in Goiânia), Marcio Shimabukuro (b. 1978 São Paulo, works in São Paulo), and Héctor Zamora (b. 1974 Mexico, works in São Paulo)

Organizer:
Krannert Art Museum, University of Illinois at Urbana-Champaign

Curators:
Tumelo Mosaka, Curator of Contemporary Art
Prior to joining KAM, he was the Associate Curator of Exhibitions at the Brooklyn Museum where he organized the exhibitions, Infinite Islands: Contemporary Caribbean Art (2007), Passing/Posing: Kehinde Wiley (2004); he was also co-curator of Open House: Working in Brooklyn (2004). In addition he organized the presentation of Alexis Rockman’s monumental mural Manifest Destiny (2004), Petah Coyne (2008) and co-organized @ Murakami (2008).

Previously, he worked for the Spoleto Festival USA in Charleston, South Carolina where he co-curated the exhibition Evoking History (2002). Mosaka has organized several national and international exhibitions for other institutions such as the National Center for Afro-American Arts (2004) and the St. Louis Contemporary Art Museum (2003). He was born in Johannesburg, South Africa and currently lives and works in Champaign, Illinois.

Irene Small, assistant professor, Art History, University of Illinois at Urbana-Champaign
Irene V. Small’s area of study includes Modern and Contemporary Art History at the University of Illinois at Urbana-Champaign. Her current book project, Hélio Oiticica: Folding the Frame, focuses on the emergence of a participatory art paradigm in mid-1960s Brazil. The project has been supported by the Creative Capital and Andy Warhol Foundations, the Getty Research Institute, the Dedalus Foundation, and the Research Board of the University of Illinois at Urbana-Champaign. Her research interests include historical and neo-avant-gardes; modernism in a global context, particularly Brazil and Latin America; abstraction; problems of methodology and interpretation; relationality and the social implications of form. Small has published essays and criticism in several journals including Artforum, Art Asia Pacific, Getty Research Journal, Res: Anthropology and Aesthetics, and Spectator. Forthcoming essays consider autopoiesis and the notion of medium specificity (for the anthology Contemporary Art: Themes and Histories, 1989–Present, Wiley-Blackwell) and intersections between the historiography of the avant-garde and ideologies of development in 1960s Brazil (for the London-based journal Third Text). She received her Ph.D. from Yale University in 2008.

Amongst the participating artists are PIPA nominees André Komatsu (2010 nominee and 2011 finalist), Carlos Mélo (2011 nominee), Cinthia Marcelle (2010 finalist and 2013 nominee), Daniel Steegman Mangrané (2012 and 2013 nominee), Jonathas de Andrade (2011 finalist and 2010 nominee), Marilá Dardot (2010 and 2011 nominee), Marcius Galan (2010 finalist and PIPA 2012 winner), Rodrigo Matheus (2010, 2011, 2012 and 2013 nominee), Tatiana Blass (winner of PIPA 2011 and Popular Vote 2011, 2010 nominee) and Thiago Rocha Pitta (2010 and 2011 nominee and 2012 finalist).

Blind Field
June 7th to September 8th, 2013

Eli and Edythe Broad Art Museum, Michigan State University
East Circle Drive
East Lansing, MI 48824
Michigan

An exhibition related to the fourth edition of Arts Libris, the international art and design book fair.

Artists:
(Ready Mix / Dj=Vida), 13L Col·lectiu, Abel Figueras, Alberto Corazón, Alejandro Jodorowsky, Alfons Borrell/Arthur Rimbaud, Alfredo Jaar, Ana García Pineda, Antoni Abad, Antoni Llena, Antònia Vilà, Antonio Edgardo Vigo, Antonio Gamoneda, Antonio Muñoz Molina, Barceló, Brossa, Bruce Nauman, Carl Andre, Carlos Albalá & Ignasi López, Carlos Pazos, Ceferino Galán, Christian Boltanski, Claus Bremer, Daniel Buren, Daniel Jacoby, Dario Gamboni, David Degener, David Levinthal, Dick Higgins, Dídac Ballester, Dieter Roth, Domènec, Dora García, Earle Brown, Edward Ruscha, Emmett Williams, Enric Montes, Eugènia Balcells, Evru, Fernando Bellver, Fabio Morais, Francesc Abad, Francesc Ruiz, Francesc Torres, Francesca Llopis, Freddy de Vree, Frederic Amat, Fundación Juan Tabique, George Brecht, Gerhard Richter, Grupo Escombros, Hans Hollein, Henry Flynt, Ignasi Aballí, Irene Pineda, J. Berger, Jackson MacLow, James Waring, Jaume Plensa, Javier Peñafiel, Jean Dubuffet, Joan Miró, Joan Morey, Joana Brabo, Joaquim Chancho, John Cage, Jordi Mitjà, José Miguel Gómez, Josep Guinovart, Joseph Byrd, Juan Cardosa, Juan Carlos Romero, Kiki Smith, La Monte Young, Landry, Malka Safro, Marcel Broodthaers, Marcel Duchamp, Marga Ximénez, María Jesús González, Mariana Castillo Deball, Mariona Moncunill, Martín Vitaliti, Miralda, Mireia Saladrigues, Momu & No Es, Mònica Fuster, Montserrat Abelló, Muntadas, Nacho Criado, Nam June Paik, Oriol Vilanova, Patricia Gómez, Pep Carri, Pep Duran, Pere Noguera, Perejaume/Comelade, Rafa Forteza, Rafael Alberti, Ray Johnson, Raymond Pettibon, Ricardo Cases, Richard Hamilton, Richard Maxfield, Rogel Colom, Rosa Tarruella, Rubiales, Simon Forti, Sol Lewitt, Tacita Dean, Tamara Arroyo, Tàpies, Terry Jennings, Terry Riley, Toshi Ichiyanagui, Tres, Ulrich Rückriem, Victoria Rabal, Walter de Maria, Wilfried Dickhoff, Ximena Pérez, and Yoko Ono.

Amongst the artists is PIPA nominee Fábio Morais. Visit his page to learn more about his career and view images of his works.

The Catalan Ministry of Culture presents the show Passant pàgina. El llibre com a territori d’art (Turning the page: the book as territory for art) as part of the travelling programme promoted by the Ministry through the Directorate General for Cultural Promotion and Cooperation. Co-produced by Arts Libris, Raíña Lupa and Fundació Comunicació Gràfica and curated by Rocío SC Santa Cruz and Òscar Guayabero, the exhibition is structured around the book as a form of artistic expression that currently has significant interest for contemporary artists and graphic artists.

The artist’s book is a plastic form of expression that emerged in the second half of the 20th century and specifically in 1963, when Edward Ruscha published the first edition of Twentysix Gasoline Stations. Since then, the most avant-garde artists have decided to use the book, paradoxically a very traditional literary format, as a tool for breaking with previous art.

Ruscha’s works, poesia concreta in the 1960s and Tàpies and Brossa’s work Novel·la (Novel) in our own country began the concept of the artist’s book.

The artist’s book assumes awareness of the book as its own artistic entity and creates a new independent genre, which is a genre of contemporary art. It is a phenomenon concentrated in Barcelona and Catalonia by extension, but with connections to cities like London, Brussels and Berlin.

The works that bring the exhibition together are paradigmatic of production over the last decade, and especially the last five years, and also include key references to works created between the 1960s and 1970s in each of the show’s six sections:
Contemporary illustrated book
Artist’s notebook
Collections
Poets/artists
The artist’s book
Beyond the page

Curated by:
Rocío SC Santa Cruz and Òscar Guayabero

“Passant pàgina. El llibre com a territori d’art”

April 21st – July 22nd

Arts Santa Mônica
La Rambla, 7
08002 Barcelona
info_artssantamonica@gencat.cat

“FotoRio 2013″

The International Encounter of Photography in Rio de Janeiro is now celebrating ten years with its 6th edition. The idea is to value the photography, giving visibility to the collections and the national and international artists through exhibitions, talking-shows, courses… It celebrates the importance of photography in the society.

In this edition, the PIPA artists Rodrigo Braga – Winner of the Popular Vote 2012 – e Renan Cepeda will show some of their work, as well as Peter Lucas, Susana Dobal, Marcos Bonisson, Alexandre Hypólito, Ana Stewart, Luciana Avellar, Rogério Reis, Fernando Bueno, Thomas Valentin, Cláudio Jaguaribe e Kitty Paranaguá

FotoRio 2013
June 5th – July 21st

Centro Cultural Justiça Federal
Av. Rio Branco, 241 – Centro
Tel: (21) 3261 2550
contato@fotorio.fot.br

“ART BASEL | BASEL”

Galeria Fortes Vilaça is amongst the 230 of the world’s leading galleries of Modern and contemporary art show that will participate on the international event Art Basel and will present the work of the artists Adriana Varejão, Armando Andrade Tudela, Iran do Espírito Santo, João Maria Gusmão e Pedro Paiva, Lucia Laguna, Luiz Zerbini, Marine Hugonnier, Rivane Neuenschwander, Simon Evans e Tamar Guimarães.

PIPA nominees Lucia Laguna and Tamar Guimarães and the other artists will have their work presented at Hall 2.1 – J22 between June 13th and 16th, and preview on the 11th and 12th.

Also participating in Art Basel is Daniel Steegmann Mangrané, nominated for PIPA in 2012 and 2013, as one of the “Parcours Artists”. Parcours is the sector which engages the city’s historical quarters with site-specific sculptures, interventions, and performances by renowned international artists and emerging talents. Parcours is curated by Florence Derieux and is open to the public.

Our Role
Connecting the international art community has been Art Basel’s goal since its beginning. Now, over forty years later, it ranks as the premier show of its kind, presenting 20th and 21st century art with a strong curatorial perspective. Its tradition of excellence across a wide range of genres offers visitors the most vital art that the world’s best galleries can offer.
In both Basel and Miami Beach now, and in Hong Kong moving forward, the week of the Art Basel show teems with parallel exhibitions and cultural events, creating an exciting environment that deepens and strengthens the relationship between gallerists, artists, curators and collectors.

Our Shows
Three annual shows bring the artworld together in some of the world’s most exciting venues: Basel, in the heart of Europe; Miami Beach, at the nexus of North America and Latin America; and Hong Kong, the Asian city where East meets West. Together, nearly 200,000 visitors view works of art presented by over 500 of the world’s leading galleries.
Each show is defined by its host city, with participating galleries showing artworks unique to the region, and parallel programming produced in collaboration with the region’s local institutions. Every artistic medium is represented: paintings, sculpture, installations, videos, multiples, prints, photography and performance. Special sectors structure the show, providing different presentation formats for galleries and artists, alongside special sectors overseen by leading international curators.

ART BASEL | BASEL
June 13th – 16th

Art Basel
MCH Swiss Exhibition (Basel) Ltd.
Messeplatz 10, 4005 Basel
Switzerland

o Agora, o Antes: uma síntese do acervo do MAC USP [ Now and Before: a resume of MAC USP's Collection]

Amongst the 85 works in display are grand names such as Amedeo Modigliani, Tarsila do Amaral, Henri Matisse, Giorgio De Chirico and Anita Malfatti, next to works by young artists, like Thiago Honório, Fernando Piola, Marina Saleme, Rommulo Vieira Conceição and Júnior Suci, among others. This disposition provokes unusual dialogues that question the art world’s certainties. Curated by Tadeu Chiarelli.

Visit the pages of PIPA nominees Rommulo Vieira da Conceição and Thiago Honório to view images of their works, informations about their careers and watch video interviews.

“o Agora, o Antes: uma síntese do acervo do MAC USP”
April 6th – October 27th

MAC USP Nova Sede 

Av. Pedro Álvares Cabral, 1301 
CEP 05508-900 

São Paulo-SP, Brazil

Tuesday – Sunday, from 10am to 6pm

Exhibition “Impossível”, Sofia Borges

“Impossível” is on both floors of the Galeria Millan, with about 15 unknown photographs, all from 2013. Sofia’s work comes from questioning the photographic image, something that the artist studies since the beginning of her artistic career. The exhibition is divided in two groups with very different rhythms and visual aspects.

Sofia Borges was nominated to PIPA 2010. Take a look at her page to learn more about her work and career.

“Impossível”
June 12th – July 8th

Galeria Millan
Rua Fradique Coutinho, 1360 – SP
Tel/fax: +55 11 3031 6007

Opening | June 11th – from 8pm to 11pm

Visiting Hours
Tuesday – Friday: 10am – 7pm
Saturday: 11am – 6pm

Trafaria Prata, by Joana Vasconcelos

Casa Triângulo is pleased to announce the participation of Joana Vasconcelos at the 55th Venice Biennale, representing Portugal.

Vasconcelos’ project, curated by Miguel Amado, addresses the shared history of Portugal and Venice. The worldwide networks of communication established between Portugal and Venice during the Middle Ages and the Renaissance contributed towards the redefining of the imago mundi. Vasconcelos reflects upon the contact zone between Portugal and Venice in the contemporary period: an imaginary based on the sea and on the maritime trade as a result of equivalent geographies.

Vasconcelos explores three notions or images common to Lisbon and Venice: water [River Tagus and Venice Lagoon], navigation and the ship. She deals with a symbol of Lisbon, the cacilheiro, a ferryboat that connects the two banks of the River Tagus, which corresponds to the emblematic Venice vaporetto. She thus transforms one ferryboat, the “Trafaria Praia”, simultaneously turning it into a floating pavilion and an artwork. During the Venice Biennial, the “Trafaria Praia” will both be moored next to the Giardini – the most important site in the Venice Biennial – and sail around the Venice lagoon, taking visitors from the Giardini to the Punta Della Dogana [the main route].

Vasconcelos covers the outsider of the “Trafaria Praia”, from the prow to the stern, with a panel of blue and hand white hand painted tiles that reproduces a contemporary view of Lisbon, from the Bugio Tower o the Vasco da Gama Tower. This piece takes its inspiration from a key piece of Portuguese tilework, the Great Panorama of Lisbon, attributed to Gabriel del Barco and dating from 1700, which shows Lisbon before the earthquake of 1755. The piece is produced in the Viúva Lamego Ceramics Factory, which is well-known for its long-lasting and regular collaboration with artists.

On the central area of the deck of the “Trafaria Praia”, Vasconcelos makes an environment based on textiles and light that recall typical works of hers such as the series “Valkyries” [since 2004] or Contamination [2008-10]. This piece consists of coloured, organic forms hand made in crochet and other fabrics, which incorporate LED lamps. These structures appear from the walls and the ceiling, “involving” the visitors in an uncanny, “uterine” atmosphere which generates an experience that is both intellectual and sensorial.

On the rest of the deck area and on the quarter-deck of the “Trafaria Praia”, Vasconcelos creates multiple areas, from a reception desk to a shop, as well as a stage. This space is for promoting Portuguese culture through the organization of several events, among which there are concerts and seminars. Of special note is the programming for the opening days of the Venice Biennial, which is made of daily performances by composers and interpreters of many different musical expressions, ranging from Fado to improvised electronic music.

The Venice Biennale (La Biennale di Venezia) – currently presided over by Paolo Baratta – has for over a century been one of the most prestigious cultural institutions in the world. Ever since its foundation, it has been at the forefront in the research and promotion of new artistic trends. In Venice, it organises international events in the field of the contemporary arts that are amongst the most important of their kind in the world.

55th International Art Exhibition
The Encyclopedic Palace
1st June > 24th November 2013

The 55th International Art Exhibition will take place in Venice from June 1st to November 24th, 2013 at the Giardini and at the Arsenale, as well as in various venues the city.

“Ambos Mundos” ["Both Worlds"], Gê Orthof

The opening is on June 10th, at 5:30 pm.
Gê Orthof was nominated for PIPA in 2010 and was member of the Nominating Committee of PIPA 2011. Visit his page to view images of his works and informations about his career.

Faculdade de Artes Visuais | FAV
Campus II of UFG – Goiânia
Tel: (62) 3521 1445
galeriadafav@gmail.com

Visiting hours:
June 11th – July 5th
8h am – 12h am | 1h am – 5h pm

As tramas do tempo na arte contemporânea: estética ou poética?
[The wefts of time in contemporary art: aesthetics or poetics?]

The exhibition is oriented by three major themes: Baroque, Constructivism and Surrealism. A total of 150 pieces are presented.

With artists:
Adriano Pedrosa, Albano Afonso, Alexandre da Cunha, Alfredo Jaar, Amilcar de Castro, Ana Maria Tavares, Antonio Dias, Antônio Lizárraga, Arthur Luíz Piza, Cabelo, Caetano de Almeida, Caetano Dias, Caio Reisewitz, Carlito Carvalhosa, Carlos Fajardo, Carlos Nunes, Cassio Michalany, Cildo Meireles, Claudia Melli, Claudia Jaguaribe, Clóvis Graciano, Dora Longo Bahia, Doris Salcedo, Dudi Maia Rosa, Edgard de Souza, Efrain Almeida, Ernesto Neto, Ester Grinspum, Fabio Zimbres, Fábio Cardoso, Fábio Miguez, Fernando Vilela, Flavio Samelo, Flávia Ribeiro, Francesc Torres, Francis Alys, Franz Weissmann, Frida Baranek, Gabriela Albergaria, Geraldo de Barros, Guto Lacaz, Hildebrando de Castro, Iberê Camargo, Ignacio Llamas, Iolanda Gollo Mazzoti, Iole de Freitas, Iran do Espírito Santo, Janaina Tschäpe, Joaquín Cociña, José Bechara, José Resende, Julio Villani, Karin Lambrecht, Keila Alaver, Kilian Glasner, Laura Vinci, Leda Catunda, Leonilson, Lilian Maus, Luis Paulo Baravelli, Marcelo Amorim, Marcelo Comparini, Marcelo Guarnieri, Marcelo Moscheta, Marcio Banfi, Marcius Galan, Marcus Vinicius, Maria-Carmen Perlingeiro, Mario Cravo Neto, Masao Yamamoto, Max Bill, Miguel Rio Branco, Nazareth Pacheco, Nelson Felix, Nicola Constantino, Niles Atallah e Cristóbal León, Niobe Xandó, Nuno Ramos, Pablo Picasso, Patricia Osses, Paulo Bruscky, Paulo Monteiro, Pierre Verger, Regina Parra, Regina Silveira, Rogerio Degaki, Rosângela Rennó, Rui Calçada Bastos, Sandra Scolnik, Sérgio Romagnolo, Sérgio Sister, Sonia Delaunay, Steve Locke, Tatiana Blass, Tatiana Trouvé, Tunga, Túlio Pinto, Valeska Soares, Vanderlei Lopes, Vik Muniz and Waltercio Caldas.

Curated by Daniela Bousso

Amongst the participating artists are several PIPA nominees, finalists and winners. Visit their pages to learn more about their careers and works:

Dora Longo Bahia (2012 nominee)
José Bechara (2010 nominee)
Marcelo Amorim (2010 nominee)
Marcelo Moscheta (Winner of PIPA Popular Vote 2010 and 2012 nominee)
Marcius Galan (Finalist in 2010 and winner of PIPA 2012)
Patrícia Osses (2011 nominee)
Regina Parra (2010 nominee)
Tatiana Blass (Winner of PIPA 2011 and PIPA Popular Vote 2011)

As tramas do tempo na arte contemporânea: estética ou poética?
April 16th to December 21st

Instituto Figueiredo Ferraz – IFF
Rua Maestro Ignácio Stabile 200 – Alto da Boa Vista
Ribeirão Preto / São Paulo / Brazil
55-16-3623-2261
www.institutofigueiredoferraz.com.br