Lebanese independent curator Amanda Abi Khalil strongly believes in art as a trigger for social change. Such conviction traverses her conversation with PIPA Institute curator Luiz Camillo Osorio. Read it here.
The curator of PIPA Institute Luiz Camillo Osorio talks to the performer Eleonora Fabião about her so-called “actions”, inspirations, and her relationship with the streets.
Known for his immersive installations made of distorted plywood, the PIPA Prize 2010, 2011 and 2012 nominee talks to the curator of Instituto PIPA about his trajectory and his works.
What happens when four artists (and longtime friends) decide to create art together? Adriano Motta, Cadu (PIPA Prize 2013 Winner), Eduardo Berliner and Paulo Vivacqua took on the challenge in “Horse Project”, inspiring this month’s critical text by the PIPA Institute curator.
In a time in which everything becomes merchandise and the artistic practice is more and more institutionalized – take, for example, the proliferation of art fairs across the world –, where does art belong? The question guides the PIPA Institute curator in one more exclusive text for PIPA Prize.
Curator of the PIPA Institute, Luiz Camillo Osorio also takes the opportunity to announce the PIPA Popular Vote Exhibition winner, chosen by the visitors of the Finalists’ Exhibition at MAM-Rio, and talks about the new features of the eighth edition catalog.
One of the most important Brazilian newspapers, O Globo published this Sunday a piece about the award.
In this exclusive interview with PIPA Institute Curator Luiz Camillo Osorio, Bárbara Wagner talks about her trajectory from photojournalism to cinema, her intense research on the theme of a modern Brazilian identity, and the ethical and political issues involved in her artistic production.
Antonio Obá, Bárbara Wagner, Carla Guagliardi and Éder Oliveira. Some might say that the four PIPA Prize 2017 finalists couldn’t be more different from each other. The fact is though that, when combined, their works set the foundation for very interesting dialogues. That’s what happened at PIPA Prize 2017 Finalists’ Exhibition, which opened last weekend at the Museum of Modern Art of Rio de Janeiro (MAM-Rio) gathering around 400 people.
Carla Guagliardi’s work always seems to be in the verge of dissolution. In this conversation with Luiz Camillo Osorio, she remembers the beginning of her career in the 1980s, talks about living and producing art abroad, and highlights the importance of time and of the presence of the audience in the concept her work.