(Miami Beach, USA) This year, over 200 modern and contemporary art galleries from all continents take part in the show, displaying artworks by over 4,000 artists, including paintings, sculptures, installations, photography, film, video, and digital art.
(Miami, USA) The exhibition “New Shamans/Novos Xamãs: Brazilian Artists”, on view until next friday, August 25th, at the Rubell Family Collection, is a result of the Rubells’ extensive research trips to Belo Horizonte, São Paulo and Rio de Janeiro, and features works which address universal environmental, social and political concerns by 12 up-and-coming artists: Lucas Arruda, Thiago Martins de Melo, Sonia Gomes, André Komatsu, Daniel Steegman Mangrané, Maria Nepomuceno, Solange Pessoa, Paulo Nimer Pjota, Marina Rheingantz, Eli Sudbrack, Erika Verzutti and PIPA Prize 2016 winner Paulo Nazareth.
(Basel, Switzerland) Art Basel’s 48th edition starts next week, presenting 291 leading international galleries from all of the six continents. Announced in February, the gallery list includes 17 newcomers, three of them from Asia and one from Africa, and five Brazilian galleries, A Gentil Carioca, Bergamin & Gomide, Fortes D’Aloia & Gabriel, Galeria Marilia Razuk and Galeria Luisa Strina, many of whom will be showcasing works by PIPA Prize nominees.
This week, the world celebrated International Women’s Day, a date that marks the struggle and the resilience of being a woman in modern-day society. In honor of March 8th, hence, PIPA Prize selected works by 15 female artists who have gained recognition in the history of the Prize, be it by winning one of its three categories or by making it to the edition’s four finalists. Their artistic goals and projects couldn’t be more different, as well as the media they have chosen to work with. Together, however, they prove that a woman’s place is in museums, galleries, studios—or wherever she wants to be.
(Miami, USA) The Rubell Family Collection Museum presents—timed to Art Basel Miami Beach—the exhibition “New Shamans/Novos Xamãs: Brazilian Artists”. The show is a result of the Rubells’ extensive research trips to Belo Horizonte, São Paulo and Rio de Janeiro, and features works which address universal environmental, social and political concerns by 12 up-and-coming artists: Lucas Arruda, Thiago Martins de Melo, Sonia Gomes, André Komatsu, Daniel Steegman Mangrané, Maria Nepomuceno, Solange Pessoa, Paulo Nimer Pjota, Marina Rheingantz, Eli Sudbrack, Erika Verzutti and PIPA Prize 2016 winner Paulo Nazareth.
(Rio de Janeiro, Brazil) It took 12 days by car to get to the Parnaíba Delta all the way from the interior of the state of Piauí. The result of the journey, undertook by artists Alexandre Canonico, Bruno Dunley, Isabel Diegues, Luis Barbieri, Marina Rheingantz—PIPA Prize 2015 finalist—, Mauro Restiffe and Paloma Bosquê, can be seen in the opening of “Projeto Piauí”. Happening this Saturday, November 26th, at the Jacaranda art space in Villa Aymoré, the show features photographs, sculptures, drawings, paintings and sound installations that, born on the road, constitute an ode to “de-mechanizing the gaze”.
(Rio de Janeiro, Brazil) JACARANDA magazine, created by the artist Raul Mourão to promote Brazilian contemporary art in the international circuit, launches its third number this Saturday, November 12th. The event will take place at the Jacaranda art space, located at Villa Aymoré, and also marks the last days to visit the group show “Indelével”, featuring artworks by PIPA Prize 2015 winner Virginia de Medeiros and PIPA Prize nominees Maria Laet and Lenora de Barros.
Next Friday we will announce the names of PIPA 2016 finalists. Four artists were selected by the Board, out of this year’s participating artists, based on number of nominations, participation in previous editions of the Prize and in their trajectories. The finalists will participate in an exhibition at the Museum of Modern Art of Rio de Janeiro from 3rd September until 13rd November, and will be competing in two categories: PIPA and PIPA Popular Vote Exhibition.
(São Paulo, Brazil) Led by the desire to embark on an observation expedition to Brazil’s hinterland, the artists chose the state of Piauí as a destination, as none of them had ever been there. The impressions brought home are the result of the de-automation of each traveller’s gaze, and the works exhibited derive from their willingness to be open to the experience, much more than a discursive pretension.
(Amersfoort, Netherlands) The exhibition is prompted by the prospect of the Rio Olympics: the second global sporting event to be hosted by Brazil within a few months, following the FIFA World Cup in 2014. In the exhibition, Kunsthal KAdE asks what sort of country chooses to showcase itself in this way. Part of the answer to that question can be found in the work of the visual artists and artist collectives currently active in Brazil.