Throughout this week (February 19th to 23rd), we published daily bulletins, revealing the participants of the 9th edition of PIPA. The 78 nominated artists, among them 38 participating for the first time, were chosen by this year’s Nominating Committee. View the complete list of PIPA Prize 2017 participating artists: (Click on the names to see…
This is the fourth bulletin announcing the names of the artists who were nominated to participate in PIPA Prize 2018. There will be 15 bulletins in total throughout the five days of announcements. We kindly request that all artists listed in this bulletin – particularly those who are being nominated for the first time – to please…
(Yogyakarta, Indonesia) The 14th Biennale Jogja started this week, and its main exhibition features the work of many PIPA Prize nominees, including former finalists and winners, namely Rodrigo Braga, Cinthia Marcelle and Tiago Mata Machado, Clara Ianni, Ícaro Lira, Jonathas de Andrade, Leticia Ramos, Lourival Cuquinha, Virginia de Medeiros and Yuri Firmeza.
(Bogota, Colombia) Colombia’s largest art show, ARTBO, the International Art Fair of Bogotá, opened its 13th edition yesterday in the Gran Salón of Corferias. Seven Brazilian galleries participate in the Main Section of the fair, featuring works by artists such as Frederico Filippi and Yuri Firmeza.
(Hong Kong, China) For about 30 years, Art Basel was associated with one place and one place only: the city of Basel, in northwestern Switzerland. The scenario first changed in 2002, with the successful launching of Art Basel Miami Beach; almost a decade later, it was time for Hong Kong to host its own version of the fair. Starting next week, Art Basel Hong Kong reaches its fifth edition in the island featuring a total of 242 participating galleries, six of whom are Brazilian.
This is the last bulletin of announcing the artists nominated to participate in PIPA Prize 2016. The six names published in this bulletin complete the list of 76 artists nominated by the Nominating Committee. View the six last published names and the complete list of artists invited to participate in the award.
VISUALISMO Festival presents works by Alice Miceli, Marilá Dardot, Virgínia de Medeiros and Yuri Firmeza
(Rio de Janeiro, Brazil) VISUALISMO ART TECHNOLOGY AND CITY proposes a dialogue between art and urban space, mediated by a sensitive and critical use of technologies applied to visual languages. The city of Rio de Janeiro with its historical and social contours is both the inspiration and the backdrop for the project’s inaugural edition, which presents works by Alice Miceli, Marilá Dardot, Virgínia de Medeiros and Yuri Firmeza.
(Porto Alegre, Brazil) Camila Sposati, Ding Musa, Dirnei Prates, Mayana Redin, Reginaldo Pereira, Rommulo Conceição, Tony Camargo and Yuri Firmeza are some of the artists participating in “Manifesto: Poder, desejo, intervenção”, an exhibition that avoids the recently established models that conceive artistic creation as something exclusively militant, without a particular message or density.
(Miami, US) Attracting leading collectors, curators, museum directors and critics from across the globe, Art Basel in Miami Beach ranks as the premier art show of the Americas, with 50 percent of the galleries having exhibition spaces in the region. Comprising 192 of the world’s leading galleries, the Galleries sector is the centerpiece of the show. With a reapplication rate of 100 percent, the selection process was particularly competitive this year.
Group show with Camila Sposati, Ding Musa, Dirnei Prates, Mayana Redin, Reginaldo Pereira, Rommulo Conceição, Tony Camargo and Yuri Firmeza on view
(Porto Alegre, Brazil) Camila Sposati, Ding Musa, Dirnei Prates, Mayana Redin, Reginaldo Pereira, Rommulo Conceição, Tony Camargo and Yuri Firmeza participate in “Manifesto: Poder, desejo, intervenção” [“Manifest: Power, desire, intervention”], an exhibition designed to be an art production experimenting platform through a political spaciousness and temporality, “Manifesto” aims at avoiding the recently established models that conceive artistic creation as something exclusively militant, without a particular message or density.