Gallery
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Last weeks to see “Pensar é Guardar”
(Leiria, Portugal) Sandra Cinto participates in the collective exhibition “Pensar é Guardar” with other nine artists. They make part of the commemorative program of the 50th anniversary of the twinning of Leiria and Tokushima
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Last days to see Lucas Arruda in ‘Luogo e Segni’
(Venice, Italy) Lucas Arruda is amongst 36 other artists presenting a selection of pieces that have been historical markings in exhibitions since the opening of Punta della Dogana in 2009
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Brazilian artists participate in this year’s Miami Art Basel
(Miami, USA) The Miami Art Basel will display works of artists from many continents, including Latin America. Multiple Brazilian artists are participating in the art fair that features over 200 of the world’s leading galleries
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PINTA Miami 2019 – Latin American fair
(Miami, USA) Parallel to Miami Art Basel, PINTA Miami Crossing Cultures reunites around 60 Latin American galleries, as well as North American and European ones that present more than 300 Latin American artists’ art pieces
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‘Chronique du trouble’ features Gustavo Speridião
(Paris, France) The exhibition brings together these three artists from the same generation, Antoine Catala, Jan Kopp and Gustavo Speridião
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Rethinking Africa in “Retours à l’Afrique”, featuring Jonathas de Andrade
(Bandjoun, Cameroon) Jonathas de Andrade participates in “Retours à l’Afrique”, a group show that discusses the idea of return in the context of Africa, with references such as the “Back-to-Africa” movement and the decolonization of the continent.
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“leçons de la pierre”, Ícaro Lira’s new solo show
(Paris, France) Ícaro Lira mixes his long-term research with recent reflections in his new solo show, “leçons de la pierre”. The curatorial text is by Elena Lespes Muñoz and the exhibition is part of the Festival Visions d’exil.
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Cinthia Marcelle’s “A morta” at The Watts Institute
(San Francisco, USA) Cinthia Marcelle’s new solo commission dialogues with Oswald de Andrade’s 1937 play, and they share the same name: “A morta”, meaning “The Dead Woman”. The artwork transforms The Watts Institute into a radio station and stage, and includes the participation of the public.
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“Quase um nada”, by Maria Laet
(Lisboa, Portugal) Laet presents a series of works of different media – books, monotype, sculpture, video, among others. This is her second exposition at the gallery
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“MATA ! MATA”, Gê Orthof’s solo show in Australia
(Canberra, Australia) With installation, performance, drawings, video and photography, Gê references the children of the forest and Brazil’s LGBTQIA+ community. “Mata” is a Portuguese homonym meaning both forest and kill.