“Death in Venice”, Luiz Camillo Osorio’s new exclusive text
This month’s critical text by PIPA Institute Curator Luiz Camillo Osorio talks about Damien Hirst’s extravagant comeback, the exhibition “Treasures from the wreck of the unbelievable”, which opened at Punta della Dogana and Palazzo Grassi in parallel to the 57th Venice Biennale. Here, Camillo raises a discussion on the excesses and the irony of a “post-truth” world, opposing Hirst’s “delusion of excess” to the “intensity of less”.