The PIPA Institute curator shares the affective importance of Pelé in his childhood; comments on the beauty of even the star’s non-goals and highlights two images among the many starring the idol – including one that Camillo owns and which was autographed by the player
Read the conversation between Luiz Camillo Osorio, PIPA Institute’s curator, and Coletivo Coletores, one of the Awarded artists of PIPA Prize 2022: 1 – I would like to start by asking about your background: yours and the Coletivo Coletores’. Did it start as an art collective or as political and cultural activism? Are these things…
Read the conversation between Luiz Camillo Osorio, PIPA Institute’s curator, and Josi, one of the Awarded artists of PIPA Prize 2022: 1 – Josi, I’ve noticed that you combine your academic training, first in languages (Federal University of Minas Gerais), then in art (Escola Guignard), with your personal and family experiences of growing up in…
Read the conversation between Luiz Camillo Osorio, PIPA Institute’s curator, and Uýra, one of the Awarded artists of PIPA Prize 2022: LCO – Uýra, how did you become an artist and a photographer? Did it happen during your education as a biologist, environmentalist, and art educator? What was this process like? Uýra – No living…
Read the conversation between Luiz Camillo Osorio, PIPA Institute’s curator, and Vitória Cribb, one of the Awarded artists of PIPA Prize 2022: 1 – You studied design at the State University of Rio de Janeiro. Your work is always at this intersection of the artistic and the functional. How did this come about and how…
After revealing some lesser-known faces of Duchamp, Osorio now relates works by the French artist to Walter Benjamin’s theory of technical reproducibility and how one influenced the production of the other
The curator of the PIPA Institute comments in this text on Duchamp’s (near) participation in the inaugural exhibition of MAM São Paulo, in 1949
Have you already checked out the conversation that was published on PIPA’s website on March 17? During his talk with Camillo, Moscheta shares his interest in landscape, archeology and nature
Notes on the 34th São Paulo Bienal, by Luiz Camillo Osorio Traslated by Rebecca Atkinson “Though it’s dark, still I sing.” Appropriating this verse by Thiago de Mello, the team of curators of the São Paulo Bienial – Jacopo Crivelli Visconti, Paulo Miyada, Carla Zaccagnini, Francesco Stocchi and Ruth Estévez – have attempted to translate…
Read the conversation between Luiz Camillo Osorio, PIPA Institute’s curator, and Castiel Vitorino Brasileiro, one of the Selected artists of PIPA Prize 2021: LCO – Castiel, let’s start with your education in Espírito Santo, and later in São Paulo. Despite being very young, your work shows a shared background of Clinical Psychology, visual arts and Afro-Brazilian spirituality….
