Critical Texts by Camillo

‘MoMA gets a wake-up call’, by Luiz Camillo Osorio

In this text, PIPA Institute curator Luiz Camillo Osorio comments on the recent expansion of MoMA in New York, a reform with an investment of US$ 450 million. See what are the museum’s historical transformations to adapt to contemporary art, as well as Camillo’s view on the repositioning of the American museum

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Luiz Camillo Osorio in conversation with Denilson Baniwa

PIPA Institute curator talks to PIPA Online 2019 Winner, Denilson Baniwa. Originally from Amazonas and now based in Rio de Janeiro, Denilson Baniwa discusses, in this conversation, how his artistic practice and trajectory are related to his indigenous origin and how it exists in the context of the globalized contemporary art.

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A degenerate biography: Emil Nolde and Nazism

In his column, Luiz Camillo Osorio, curator of the PIPA Institute, discusses the complexity between politics, art and history using as a basis for this theme the case of Emil Nolde, an anti-Semitic painter from Nazi Germany who, due to the exasperated and “deformed” aesthetics in his works he was an artist denied by the regime he personally defended. “How to deal with this contradiction between author and work?” and “Is this an exclusively German past?” are some of the questions Camillo brings up in the text

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Luiz Camillo Osorio in conversation with Cabelo

Luiz Camillo Osorio, curator of the PIPA Institute, talks to Cabelo, one of the finalists of PIPA 2019, about the beginning of the artistic career, the relevance of the word in his work, the mixing of musical language with visual language, the formation of partnerships at work, among other themes. Check out the full conversation!

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Luiz Camillo Osorio in conversation with Guerreiro do Divino Amor

Luiz Camillo Osorio, curator of the PIPA Institute, talks to Guerreiro do Divino Amor, one of the finalists of PIPA 2019, about the beginning of his professional career in Europe, his personal concerns that inspired the artistic process, the antagonistic aesthetics between the real and the fiction, among other themes. Check out the full conversation!

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Luiz Camillo Osorio in conversation with Jaime Lauriano

Luiz Camillo Osorio, curator of the PIPA Institute, talks to Jaime Lauriano, one of the finalists of PIPA 2019, about the process of entering the artistic career, the inspirations for the artistic process, the historical rescue in Jaime’s works, among other topics. Check out the full conversation!

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Luiz Camillo Osorio in conversation with Berna Reale

Luiz Camillo Osorio, PIPA Institute curator, talks to Berna Reale, one of the PIPA 2019 finalists. They discuss the beginning of her artistic career, the representation of violence in her work, her production process and the possible expansions of her artistic projects.

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“Art, non-art and after art”, critical text by Luiz Camillo Osorio

The first text of the year of Luiz Camillo Osorio’s column discusses the autonomy of the definitions given to what is currently considered art – and by whom such denominations are made. Camillo reflects on the constant incorporation of new activities and practices, which for decades would not have been included in museums and galeries, taking as an example the group Forensic Architecture

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