Stroud, United Kingdom, 1981.
Lives and works in São Paulo, Brazil.
Press
2019
– Veja Sao Paulo, Sunday Preview
– NewCityBrazil, Sunday, interview with Cynthia Garcia
2017
Art Agenda, Matthew J McLean, ‘Dry’, review
Terremoto, ‘Interiors’, review
Artsy.com, Cassey Lesser, ‘15 Artists to Watch at SP-Arte’
2015
– Frieze, Tom Morton, ‘Highlights 2015’
2014
– Art Monthly, Chris Fite-Wassilak, ‘A Merman I Should Turn To Be’
2012
– Guardian Guide, Skye Sherwin, ‘Things That Have Interested Me’
2011
– Guardian Guide, Skye Sherwin, ‘Untitled’
– ArtReview, Laura McLean-Ferris, ‘Glaze’
– Pop Magazine, artist project
2010
– Art Asia Pacific, Andy Cushman, ‘Dan Coopey, Position 1’
– Saatchi Online Magazine, Rebecca Geldard, ‘Top 10 Shows in London’
– Garageland, Alli Sharma, ‘Position 1’
– a-n Magazine, Dan Green, ‘Meteor’
– Guardian Guide, Robert Clark, ‘Meteor’
2009
– 10 Magazine, Skye Sherwin, ‘10 Sculptors You Should Meet’
– Philips Art Expert, Philips de Pury Magazine, Rebecca Geldard, ‘Urchin Eater’
– Kaput Magazine, Georgia Korossi, ‘Urchin Eater’
Solo projects
2019
– “Sunday”, Galeria Estacao, São Paulo, Brazil
2017
– Solo project as part of Against Forgetting, curated by Kiki Mazzucchelli, ArtBo, Bogota
– “Interiors”, Pivô, São Paulo, Brazil
– “Dry”, Kubikgallery, Porto, Portugal
2015
– “lalahalaha”, Belmacz, London, UK
2012
– “Laura_UpsideDown”, The Institute of Jamais Vu, London, UK
– “Untitled”, Touring Arts Council Commission, various locations, UK
2010
– “Position 1”, The Agency Gallery, London, UK
2009
– “Doodad”, Hayward Gallery, Concrete, London, UK
Group projects
2019
– “Mingei Now”, curated by Nicolas Trembley, Sokyo Gallery, Kyoto, Japan
2018
– “Fibra”, Von Goetz, London, UK
– “Amaranthine” (curated), Kupfer, London, UK
– “⦿”, curated by Caterina Duncan, Galeria Leme, São Paulo, Brazil
– Two person project with Emmanuel Nassar, Semana De Arte, São Paulo, Brazil
2017
– “Woven”, curated by Mia Romanik, Rental Gallery, NY, USA
– “Against Forgetting”, curated by Kiki Mazzucchelli, ArtBo, Bogota, Colombia
– “The Peaceful Dome”, The Bluecoat, Liverpool, UK
– “Neither”, curate by Fernanda Brenner, Mendes Wood DM, Brussels, Belgium
2015
– “The Ultimate Vessel”, Koppe Astner, Glasgow, UK
2014
– “A Merman I Should Turn To Be” (curated), Laura Bartlett Gallery, London, UK
– “Fourth Drawer Down”, Nottingham Contemporary, UK
– Wirksworth Festival, curated by Rose Lejeune, Wirksworth, Derbyshire, UK
– “Survival of the Fullest, The Politics of Food”, Delfina Foundation, London, UK
2013
– “Binary”, ReMap4, Athens, Greece
– “The World is Almost Six Thousand Years Old: Contemporary Art and Archaeology from the Stone Age to the Present”, curated by Tom Morton, Lincoln Museum & The Collection, Lincoln
– “Slate”, in collaboration with Laura Buckley, Turner Contemporary, Margate
2012
– “See Through”, with Camilla Low, Paul Housley, Rudolf Polansky, and Ben Newton, Belmacz, London, UK
– “Please wait while we contact your bank 4”, French Riviera, London, UK
– “The Discerning Eye”, curated by Skye Sherwin, London, UK
– “Glaze”, curated by George Henry Longly, Galerie Chez Valentin, Paris, France
– “Festivela”, in collaboration with Laura Buckley, Gallery Vela, London, UK
– “Things That Have Interested Me”, Waterside Contemporary, London, UK
2011
– “Glaze”, curated by George Henery Longly, Bischoff/Weiss, London, UK
Residencies
2018
– Fibra, Colombia
2017
– Pivô, São Paulo
2016
– Pivô, São Paulo
2012–2015
– Acme Fire Station, London
Public Collections
– Lincoln Museum, UK
Publications
2019
– Sunday, Galeria Estacao, Essay by Raphael Fonseca, catalogue
– Mingei Now, Sokyo Gallery
– Neither, MendesWoodDM
2012
– ‘Laura_UpsideDown’, Tom Morton and Helen Sumpter, published by The Institute of Jamais Vu
2011
– ‘Strangers in a Zine! A fanzine about Patrica Highsmith’, published by The Coelacanth Press
