(this page was last updated in July 2024)
Arcoverde, Brazil, 1999
Lives and works between Pernambuco and São Paulo, Brazil
PIPA Prize 2024 nominee
Elvira Freitas Lira has been a self-taught painter since she was a child. She lived in Arcoverde, in the hinterland of Pernambuco, until she was 14. Elvira then moved to Olinda, in the same state, living there for five years before relocating to São Paulo. The cities she has lived in influence her work, which combines urban pop culture with her affectionate relationship with the traditional and contemporary cultures of the Northeast of Brazil. She works mainly with figurative painting in acrylic and oil, also making use of mixed techniques that include collage, as well as writings and poetry. With a strong biographical aspect, her work inevitably crosses feminine issues, bringing an approach that goes from the intimate to the collective, from the individual to the universal. She has taken part in several institutional exhibitions, at venues such as the Murillo La Greca Museum (Recife), the Janete Costa Gallery (Recife), the Tomie Ohtake Institute (São Paulo), as well as being part of the BNB – Banco do Nordeste collection.
Website: instagram.com/elvirafreitaslira/
Video produced by Do Rio Filmes exclusively for PIPA 2024:
Illustration and script for the video clip “DERROTAS E VITORIAS”, 2021. Duration: 5’33”
Elvira Freitas Lira, born in Arcoverde (PE), has been a self-taught painter since childhood. She lived in Arcoverde until she was 14, then in Olinda, until she moved to São Paulo at the age of 19. Today she works between the Southeast and the Northeast. She has participated in 3 group exhibitions, one of them at the Murilo La Greca museum in Recife in 2022. In April 2023, she held her first solo exhibition in Belo Horizonte.
The artist’s work addresses the familiar situations of the contemporary female universe through painting. She portrays dualities that permeate the experience of being a woman in the world, exploring both the sweetness and the violence present in this experience. In addition to this universal approach, her work has the particularity of being influenced by popular culture in the Northeast, resulting in a kind of “sertaneja POP”. Elvira works mainly with acrylic and oil painting, and has been exploring other areas such as literature, by writing poems.
Since she was a child, Elvira has found in painting an essential form of entertainment. However, her career took a new turn when she arrived in São Paulo in 2018, where she began to fully explore her daily contact with the making of this art, working as a painting assistant and producing canvases to sell. Her work is the result of an independent and authorial repertoire, combining strange and natural symbolic elements, many of which come from pop and mass culture. She transforms the pictorial space into an open field for political debate, always with an orientation centered on the feminine.
Solo exhibitions
2024
– “Arcoverde to the moon”, centro histórico de São Paulo, curadoria Felipe Morozini, São Paulo, Brazil
2023
– “23”, curated by Noele Karime, Acaiaca Gallery, Belo Horizonte, Brazil
Group Exhibitions
2024
– “Refoundação”, Reocupa Gallery, São Paulo, Brazil
2023
– “Nordeste Expandido: estratégias de (re)existir”, Janete Costa Gallery, Recife, Brazil
– “Início, meio, início”, curated by Amanda Melo da Mota and Virginia de Medeiros, Tomie Ohtake Institute, São Paulo, Brazil
2022
– “Prelúdio Acaiaca”, curated by Wagner Nardi, Acaiaca Gallery, Belo Horizonte, Brazil
– “Acervo Artístico do Banco do Nordeste em Pernambuco”, curated by Beth da Matta and Jacqueline Medeiros, Murillo La Greca Museum, Recife, Brazil
Institutional Collections
– Banco do Nordeste Collection
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