Alexandre Brandão

(this page was last updated in May 2019)

Belo Horizonte, Brazil, 1979.
Lives and works in São Paulo, Brazil.

PIPA 2014 and 2019 nominee.

Using languages such as drawing, video and sculpture his work is marked by forms that fluctuate between strangeness and familiarity and results in objects and images that suggest a shuffling exercise of the order of the world. His practice combines chance, temporality, processes of nature and culture with artisanal methods of production.

Has participated in exhibitions including “Dear Amazon: Anthropocene Project – Korea-Brazil Exchange Exhibition” (Seoul, South Korea, 2019); “In Memoriam” (Rio de Janeiro, 2017); “66º Salão Paranaense” (Curitiba, 2017);”60 Anos Museu + Residência” (Belo Horizonte, 2017); “Bolsa Pampulha 2015/2016” (Belo Horizonte, 2016); ”Some False Moves” (Nova York, USA, 2015); “Taipa Tapume” (São Paulo, 2014); “Batalhão de Telegrafistas” (São Paulo, 2014); “18th and 17th Contemporary Art Festival SESC Videobrasil” (SP, 2013 e 2011); “20 e poucos anos” (São Paulo, 2010); “Cologne KunstFilmBiennale” (Cologne, Germany, 2005); “15th Videobrasil International Electronic Art Festival” (São Paulo, 2005). Among his solo shows are “Experimentos com o acaso” (Paris, France, 2016), “Chão” (São Paulo, 2015); “Alexandre Brandão – II Mostra do Programa de Exposições – CCSP” (São Paulo, 2014), “Efeito sem causa” (São Paulo, 2013), “Quase sombra” (São Paulo, 2012) e “Entrebranco (Belo Horizonte, 2006). In 2010, he was awarded in the “5th Inter-American Video Art Biennial” (Washington DC, USA) and in 2014 won the “Artistic Residency Grant ICCo / SP-Arte” at Residency Unlimited in New York. In 2018, participated in Pivô Pesquisa residency program (São Paulo).

Website: www.alexandrebrandao.com

Video produced by Do Rio Filmes exclusively for PIPA 2019:


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