Daniel Jablonski

Daniel Jablonski (1985, Rio de Janeiro) is a visual artist, teacher and independent researcher. His multifaceted output, combining theory and practice, investigates the role of the individual in the construction of new mythologies and discourses of everyday life.

His works have been seen in solo and group shows in Brazil and Latin America, notably at Instituto Tomie Ohtake, Centro Cultural São Paulo, Paço das Artes (São Paulo), Fundação Iberê Camargo (Porto Alegre), Centro Cultural BNDES (Rio de Janeiro), as well as Torcuato Di Tella University (Buenos Aires) and Fundación ArtNexus (Bogotá) His writings, including interviews, translations, essays and critical reviews, can be found in art and literature magazines such as Serrote, Amarello (São Paulo) and Octopus Notes (Paris), but also in academic journals such as Concinnitas and Poiésis (Rio de Janeiro).

In the last few years, he won several acquisition prizes at national art shows and fairs, and was nominated twice to Brazilian art prize Prêmio PIPA, as well as the Cisneros Fontanals Art Foundation Grants and Commissions Program (Miami). He has also regularly taken part in prestigious international residences, such as Fonderie Darling (Montreal), Fondazione Antonio Ratti (Como) and Lugar a Dudas (Cali), the latter, rewarded as a teacher of Parque Lage School of Visual Arts (Rio de Janeiro), where he taught for four years.

From 2017 to 2021, he coordinated and taught the course ‘Art Histories: Modern and Contemporary’ at MASP – Museu de Arte de São Paulo. He lives and works between Brazil and France, where he was recently awarded a fellowship from the Terra Foundation for American Art (Giverny) and a long-term residency at the Cité Internationale des Arts (Paris).

Education
2014
– Artists and curators program, Universidad Torcuato Di Tella, Buenos Aires, Argentina
2011-2012
– Master’s Degree 2 in History and Politics of the Museum and Patrimony (summa cum laude- 17/20), La Sorbonne – Institut National d’Histoire de l’Art (Paris 1), France
2010-2011
– Master’s Degree 2 in Contemporary Philosophy (summa cum laude – 17/20), La Sorbonne – Panthéon (Paris 1), France
2011
– Visiting Student at the MA in Modern Art Program: Critical and Curatorial studies (approved with GPA: A), Columbia University in the City of New York, USA
2009-2010
– Master’s Degree 1 in Art History (summa cum laude – 18/20), La Sorbonne – Institut National d’Histoire de l’Art (Paris 1), France
2008
– Undergraduate in Philosophy (GPA: A), Pontifícia Universidade Católica do Rio de Janeiro, Brazil

Course, workshops and residencies
2019
– CSAV – Artists Research Laboratory, one month-long workshop coordinated by artists Ei Arakawa and Nora Schultz and curator Kasper König, Fondazione Antonio Ratti, Como, Italy
– Kaaysá Art Residency, One month residency, as a prize at SP-Arte/Foto Fair, São Paulo, Brazil
2018
– Pivô Art and Research, Six-month residency at Pivô art space, São Paulo, Brazil
2016
– Workshop “significa loja de trabalho?”, workshop on working conditions of the contemporary artist in Brazil, coordinated by Marta Ramos-Yzquierdo and Ana Letícia Fialho
– Residency in Lugar a Dudas, Prize accorded to a Professor of EAV Parque Lage chosen by Lisette Lagnado, Fernando Cocchiarale and Pablo Léon de la Barra, Cali, Colombia
2014
– Workshop Curatorial Tools for cultural organization, of the 31st Bienal of São Paulo: with the guests: Ana Longoni, Charles Esche, Ekaterina Degot, Galit Eilat, Ivo Mesquita, Oren Sagiv, Orlando Maneschy, Nuria Enguita Mayo, Pablo Lafuente, Ricardo Basbaum, Sandi Hilal & Alessandro Petti, Walid Raad, São Paulo, Brazil
2013
– Máquina de Escrever, a one-year working group on the place of writing in contemporary art and experimental curative practices. Under coordination of Amilcar Packer and Manuela Moscoso & Residência CAPACETE, Diedrich Diederichsen, Guillaume Desanges, Manuel Segade, Cristina Freire, Suely Rolnik, Carla Zaccagnini, São Paulo, Brazil.
2012
– Universidade de Verão #2, program of studies under the coordination of Daniel Steegmann Mangrané, na Residência CAPACETE, Amilcar Packer, Benjamin Meyer-Krahmer, Kaira M. Cabañas, Max Hinderer Cruz and Falke Pisano, Rio de Janeiro, Brazil.
2007-2008
–School of Visual Arts (EAV) of Parque Lage, Free Classes of Modern Art and Contemporary Art taught by Pedro França, Rio de Janeiro, Brazil

Individual Exhibitions
2020
– “Hy Brazil” | SP-Arte fair, São Paulo, BRA (postponed)
2019
– “Quem vigia o vigia?” | Duas Galerias, Belo Horizonte, BRA
2018
– “As coisas” | Galeria Janaina Torres, São Paulo, BRA
– “(Still) Brazil” | Paço das Artes, São Paulo & Centro Cultural Justiça Federal, Rio de Janeiro, BRA
– “Mistérios caseiros” | Galeria de arte Antonio Sibasolly, Anápolis, BRA
2017
– “Brazil” | Museu de Arte de Ribeirão Preto, São Paulo, BRA
– “Toque aquela música” | BREU, São Paulo, BRA
– “Pergunte a seus vizinhos” | Saracvra, Rio de Janeiro, BRA
2016
– “Pergunte a seus vizinhos” | Centro Cultural, São Paulo, BRA
2014
– “O sono louco” | Casamata, Rio de Janeiro, BRA
– “(Há fotografias para documentar isso)” | (em parceria com Lucas Sargentelli), Centro Cultural Sérgio Porto, Rio de Janeiro, BRA

Group Exhibitions
2021
– “Dizer não” | (show) Ateliê 397, São Paulo, BRA
– “Il sogno di Antonio: un viaggio tra arte e tessuto” | (show) Fondazione Antonio Ratti, Como, IT
– “To exhibit in case of emergency” | (show) Cité Internationale des Arts, Paris, FRA
– “Mostra Parque” | (show) Parque Lage School of Visual Arts, Rio de Janeiro, BRA
– “Volta” | (online show) DAP Londrina, Londrina, BRA

2020
– “Œuvre comptoir” | (installation) Fonderie Darling, Montreal, CAN
– “Descategorizados” | (online show) Fundación ArtNexus, Bogotá, COL
– “Dia do cinema” | (online show) Parque Lage School of Visual Arts, Rio de Janeiro, BRA
– “Esquadros” | (online show) p.art.ilha art galleries network, São Paulo, BRA
– “300 desenhos” | (online charitable auction) Pivô, São Paulo, BRA
– “SP-Arte” | (online fair) Janaína Torres gallery viewing room | São Paulo, BRA
– “Not Cancelled” | (online fair) Janaina Torres gallery viewing room | São Paulo, BRA
– “Ordinário da vida – registros em obras em processo” | (show) SESC Santo André, São Paulo, BRA (postponed)

2019
– “Serrote ao vivo” | (performance) Instituto Moreira Salles, São Paulo, BRA
– “SP-Arte” | (fair) Janaina Torres Gallery, São Paulo, BRA
– “Pequenos vestígios de melancolia” | (show) FUNARTE, São Paulo, BRA
– “Varal” | (show) Escola da Floresta, São Paulo, BRA
– “9º leilão anual de parede” | (auction) Pivô, São Paulo, BRA

2018
– “Texto + Texto” | Fundación ArtNexus, Bogotá, COL
– “La Valla” | (installation) Lugar a Dudas, Cali, COL
– “Interstícios” | (show) Átomos, Rio de Janeiro, BRA
– “Estado(s) de emergência” | (show) Paço das Artes & Oficina Cultural Oswald de Andrade, São Paulo, BRA
– “Faça você mesmo” – um guia de leitura | (show) Espaço A Mesa, Rio de Janeiro, BRA
– “Bienal das Artes” | (show) SESC-DF, Brasilia, BRA
– “Verzuimd Braziel” | (show) Marcantonio Vilaça Prize, Goiânia, Fortaleza, Rio de Janeiro, Florianópolis, BRA
– “Unânime noite v.3” | (show) Fundação Iberê Camargo, Porto Alegre, BRA
– “Que Barra” | (show) Ateliê 397, São Paulo, BRA
– “14th Salão de Arte de Itajaí” | (show) Fundação Cultural de Itajaí, BRA
– “SP-Arte” | (fair) Janaina Torres gallery, São Paulo, BRA
– “SP-Arte/Foto” | (fair) Janaina Torres gallery, São Paulo, BRA
– “Arte-Rio Fair” | (fair) Janaina Torres gallery, Rio de Janeiro, BRA
– “8º leilão anual de parede “| (auction) Pivô Art Space, São Paulo, BRA
– “13º leilão beneficente” | (online auction) Luisa Strina Gallery / NGO Anima, São Paulo, BRA

2017
– “Escola em Transe” | (show) Parque Lage School of Visual Arts, Rio de Janeiro, BRA
– “SP-Arte Foto” | (fair) Janaína Torres gallery, São Paulo, BRA
– “7th leilão anual de parede” | (auction) Pivô Art Space, São Paulo, BRA
– “De-Colonizing Art Institutions” | (show) Oncurating Project Space, Zurich, SWI
– “Festa Junina de Santo Antônio do Abacaxi” | (show) Solar dos Abacaxis, Rio de Janeiro, BRA
– “23rd Salão Anapolino de Arte” | (show) Antonio Sibasolly gallery, Anápolis, BRA
– “5th Salão Arte Londrina” | (show) DAP, Londrina, BRA
– “Los derivados” |(show) Slyzmud gallery, Buenos Aires, ARG
– “45th Salão de Arte Contemporânea Luiz Sacilotto” | (show) Casa do Olhar Luiz Sacilotto, Santo André, BRA
– “A quebra do sistema” | (show) Al janiah, São Paulo, BRA
– “QAP Tá na escuta?” | (show) Instituto Tomie Ohtake, São Paulo, BRA
– “Entrepáginas” | (show) Janaina Torres gallery, São Paulo, BRA

2016
– “Artes visuais em revista” | (show) BNDES Gallery, Rio de Janeiro, BRA
– “41º Salão Nacional Contemporâneo” | (show) Museu de Arte de Ribeirão Preto, BRA
– “6º leilão anual de parede “| (auction) Pivô, São Paulo, BRA
– “Elefante branco com paninho em cima” | (show) Paço das Artes, Museu da Imagem e do Som, São Paulo, BRA
– “Agora somos mais de mil” | (show) Parque Lage School of Visual Arts, Rio de Janeiro, BRA
– “Unânime noite” | (show) Bolsa de Arte gallery, São Paulo, BRA
– “7th Salão dos Artistas sem Galeria” | (show) Zipper gallery and Sancovsky gallery, São Paulo, Orlando Lemos gallery, Belo Horizonte and Potrich Arte Contemporânea, Goiânia, BRA

2015
– “O que caminha ao lado” | (show) SESC Vila Mariana, São Paulo, BRA
– “Abre Alas 11” | (show) A Gentil Carioca gallery, Rio de Janeiro, BRA

2014
– “Paisaje y Acontecimiento: re-consideraciones sobre una poética Rugendiana” | (show) galeria Agatha Costure, Buenos Aires, ARG
– “Muestra final del Programa de Artistas” | (show) Universidade Torcuato Di Tella, Buenos Aires, ARG
– “Ocidente / Oriente” | (show) Proyecto Coordenadas, Buenos Aires, ARG

2013
– “O último instantâneo da intelligentsia europeia #2” | (installation) NGO Meu Rio, Rio de Janeiro, BRA

2012
– “Astrologicamente Incompatível” | (performative lecture) Universidade Pontifícia Católica, Rio de Janeiro, BRA

2008-2010
– “L’insouciance – politics of the detachement” | (web publication) creation and production of the blog

Academic and Artistic Prizes
2019
-Nominated to Prêmio Investidor Profissional da Arte (PIPA art prize), Rio de Janeiro, Brazil
2018
-Prize of the Kaaysá Residency in partnership with SP-Arte/Foto Fair, São Paulo, Brazil
– Finalist of Delfina Foundation Residency (London) Prize at SP-Arte Fair, São Paulo, Brazil
2017
– Nominated to the PIPA Prize, Rio de Janeiro
2016
– Nominated to the 2017 Grants & Commissions Program da Cisneros Fontanals Art Foundation (CIFO), Miami, USA.
– Award in the 41th Art Salon of Ribeirão Preto – Nacional Contemporâneo, awarded by Bernardo Mosqueira, Nilton Campos and Ana Luiza Dias Batista
– Award in the 7o Salão dos Artistas sem Galeria, awarded by Marta Ramos-Yzquierdo, Jacopo Crivelli Visconti and Douglas de Freitas
2011
– Alliance Program, First student chosen to participate in the pilot program for the implementation of the new Dual Degree in Masters of Museum Studies,
Columbia University and Paris I Panthéon, Sorbonne, France
2008-2006
– FAPERJ, Extracurricular scholarship grant in Contemporary Philosophy

Publications, translations, lectures
2018
– “Não conheço fins de semana: diário de um turista em viagem de trabalho”,  essay published at Ao Largo magazine, Year 2018-2 – Ed. 7, Rio de Janeiro, Brazil
– “História da arte como história da morte”, Lecture commenting Douglas Gordon’s work “Îles Flottantes” installed at Instituto Moreiro Salles, São Paulo, Brazil
– “O sono louco: quem vigia o vigia?”, lecture on tho occasion of exihbition Unânume Noite v.3 at Fundação Iberê Camargo, Porto Alegre , Brazil
2017
-“Isto não é um diário, é um relógio”, essay published in the newspaper Nossa Voz # 1018 – Possible futures issue, an invitation by publishers Benjamin Seroussi, Isabella Rjeille and Marilia Loureiro
– “Quando o sol se levanta, o sol não se levanta”, essay published in the catalog Visões da Vanguarda, a cinema programme curated por Patricia Mourão at CCBB-SP, São Paulo, Brazil
– “Todos os pontos”, Visual essay especially conceived for Serrote issue #25, a literature magazine published by Instituto Moreira Salles, Rio de Janeiro / São Paulo, Brazil
– “Outros arquivos”, participation in a panel discussion with Mayana Redin and Omar Salomão, mediated by Felipe Braga, at the Poiésis de Arquivo seminar held at the Department of Literature of the Universidade Pontifícia Católica, Rio de Janeiro, Brazil
– “No museum exist, none has ever existed” , graphic contribution to Decolonizing Art Institutions: The Artists’ Book, Oncurating # 34, published by the Postgraduate Program in Curating, ZHDK, Zurich, Switzerland
2016
– “A reinvencão do cotidiano”, conference at the cinema programme Visões da Vanguarda curated by Patricia Mourão at CCBB, São Paulo, Brazil
– “Not to Cut a Long Story Short,” Afterword to poetry book Cidade Perdidas, by Lucas Cureau, editora Deep, Rio de Janeiro, Brazil
– “Sinto muito, senhora Cézanne”, essay published in Ensaisa – Revista de dramaturgia, performance e escritas múltiplas, issue #3 (online publication)
2015
– “O que é um curador?”, translation to Portuguese of the eponymous essay by Claire Bishop, published in Concinnitas, year 16, volume 2, issue 27, December, Rio de Janeiro, Brazil
– “O sono louco”, essay on eponymous work in Poiesis – Revista do Programa de Pós-Graduação em Estudos Contemporâneos da Artes da Universidade Federal Fluminense, issue #24, Rio de Janeiro, Brazil
– “Os passos perdidos”, essay on the work of painter Mariana Serri, published in Amarello magazine, Year 06, issue 20, São Paulo, Brazil
2014
– “O Boletim da Juventude” The Youth Bulletin (book) with the collaboration of Ismar Tirelli Neto, Delia Rogobete, Pedro França and Lucas Cureau, independent publication, Buenos Aires, Argentina
– “O que é crítica institucional?”, translation to Portuguese of the eponymous essay by Andrea Fraser, published in Concinnitas, year 15, volume 02, issue 24, December
-Daniel Jablonski s’entretien avec Pedro França | bilingual interview published in the magazine Octopus Notes #3, Paris, France
– “Trâmites Aduaneiros”,  independent publication with an essay on the work of Antonio Sobral for the occasion of his exhibition Força Latente at DConcept Gallery, São Paulo, Brazil
2013
– “O sono louco: quem vigia o vigia?”, lecture based on the eponynous work at the international contemporary philosophy colloquium “Penser les pratiques artistiques contemporaines: l’apport de Walter Benjamin”, at Pontifica Universidade Católica, Rio de Janeiro, Brazil
– “O curador como etnógrafo, o etnógrafo como curador”,  interview with Pedro de Niemeyer Cesarino, in collaboration with Isabella Rjeille, as part of the publication Máquina de Escrever, 2013, by CAPACETE entretenimentos, São Paulo, Brazil
2012
– “Uma utopia contra os recifes”, Independent publication with Antonio Sobral for the ocasion of his exhibition Arrebentação at DConcept gallery, São Paulo, Brazil

Video produced by Do Rio Filmes exclusively for PIPA 2017:

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