(this page was last updated in February 2024)
Indianapolis, USA, 1972.
Lives and works in São Paulo, Brazil
Represented by Galeria Luisa Strina and Galeria Silvia Cintra + Box 4.
PIPA 2010 Finalist.
PIPA 2012 Winner.
Member of PIPA 2013 Nominating Committee.
Works in the PIPA Institute Collection
Marcius Galan was born in Indianapolis, USA, son of Brazilian parents who returned to Brazil before the artist was old enough to walk and speak the language. The artist graduated in Artistic Education from FAAP, São Paulo in 1997, where he currently lives and works. In 2003 won a residency of six months in Cité des Arts em Paris through FAAP and spent 3 months in residency in the Art Institute of Chicago through the Iberê Camargo Scholarship Programme in 2004. Galan won the 3rd edition of PIPA in 2012. The artist presented the work ‘Obra de Arte em 5 Vias’, a conceptual work created exclusively for the Finalists Exhibition at MAM-Rio. In 2013, Galan had a solo exhibition at White Cube, London titled ‘Geometric Progression’. The artist has participated extensively in group exhibitions in renowned galleries, institutions and biennales in Brazil and abroad, including: the 29th and 30th editions of the São Paulo Biennale, 8th Mercosul Biennale and Biennale of the Americas (MCA, Denver, USA). Recent exhibitions include: Instituto Tomie Ohtake, São Paulo, Brazil, Luhring Augustine, New York, USA, MdM Gallery, Paris, France, Palais de Tokyo, Paris, France, Galerija Gregor Podnar, Berlin, Germany, Häusler Contemporary, Zurich, Switzerland and Maisterravalbuena Galeria, Madrid, Spain.
Website: marciusgalan.com
Video produced by Matrioska Filmes exclusively for PIPA 2010:
‘Risco de Arte’, PIPA 2012 Catalogue Galan’s work presented in MAM characterizes itself for adopting a problem that is clearly connected to the conceptual tradition. In it, the relation between work and image is problematized through denial. In fact, one does not have full access to the artwork as it classically thought, because its alleged iconicity is replaced by a device that documents its existence contractually. This way, the work is indicated via objective text. There is no longer a pretext of an interior sensitivity, of a process; nor perception, nor body are addressed. When the transformation of the work i the image is refused, what’s left as art is art is pure externality, as the consideration of an economic issue. The contract is exhibited and, as it is established, different colours stress five pieces of the work, dedicated to the artist, the critic, the audience, etc. It is revealed in this material externality its origin as a Marxist analysis; it is now its conceptual structure. What is left to the work is to pragmatically denounce the agents that would perversely articulate this image and spectacle’s economy, turned into a class problem. – Cezar Bartholomeu.
Solo Exhibitions
2022
– “Gravidade” – Museu de Arte Contemporânea USP (MAC), São Paulo, Brazil
– “Pintura de emergência” – Projeto Parede Museu de Arte Moderna MAM, São Paulo, Brazil
2020
– “Fervor”, Galeria Luisa Strina, São Paulo, Brazil
– “They Endured”, Galeria Gregor Podnar, Berlim
2019
– “Água Parada”, Auroras, São Paulo, Brazil
– “Projeto.platô.vitrine.: Como dobrar uma bandeira, como desdobrar”, Platô (Galeria Metrópole, Centro), São Paulo, Brazil
2018
– “Exercício de divisão”, Galeria Francisco Fino, Lisbon, Portugal
– “Mará-obi”, Capela do Morumbi, São Paulo, Brazil
– “To walk in circles”, aarea.co.
– Instituto Figueiredo Ferraz, Ribeirão Preto, Brazil
2017
– “Penetra”, Fundação Ema Klabin, São Paulo, Brazil
– “Martelinho de Ouro”, Galeria Silvia Cintra, Rio de Janeiro, Brazil
– “Line Weight”, Galerija Gregor Podnar, Berlin, Germany
2015
– Galeria Luisa Strina, São Paulo, Brazil
– Espaço Cultural Leônidas Simonetti, Bauru, Brazil
2014
– “Arquitecturas del Desarraigo”, Ideobox Artspace, Miami, USA
– “Como dobrardesdobrar uma bandeira”, Gal. Silvia Cintra + Box4, Rio de Janeiro, Brazil
2013
– “Diagrama”, Espacio NC, Bogotá, Colombia
– “Geometric Progression”, Inside the White Cube, White Cube, London, UK
2011
– “Imóvel/Instável”, Galeria Luisa Strina, São Paulo, Brazil
2010
– “Área Útil = Área Comum”, Galeria Silvia Cintra + Box4, Rio de Janeiro, Brazil
2009
– “Seção Diagonal [Diagonal Section]”, Galeria Silvia Cintra + Box4, Rio de Janeiro, Brazil
2008
– “Geometria Informal”, Galeria Pedro Cera, Lisbon, Portugal
– “Área Comum”, Galeria Luisa Strina, São Paulo, Brazil
2005
– “Arquipélago”, Galeria Luisa Strina, São Paulo, Brazil
2004
– “Fundo Falso”, Galeria Luisa Strina, São Paulo, Brazil
2001
– “Sem Título”, Temporada de Projetos Paço das Artes, São Paulo, Brazil
1999
– “Programa de Exposições”, Centro Cultural São Paulo, São Paulo, Brazil
1998
– “3º Andar”, São Paulo, Brazil
1997
– “Programa Abra de Exposições”, São Paulo, Brazil
1996
– “Projeto Outdoor”, Galeria Luisa Strina, São Paulo, Brazil
Selected Group Exhibitions
2024
– “Língua Franca” – Curated by Tiago de Abreu Pinto – Bratislava city Gallery – Bratislava – Slovakia
2023
– “IAB80” – Institute of Architects of Brazil, São Paulo, Brazil
– “Metamorfoeses”, Figueiredo Ferraz Institute, Ribeirão Preto, Brazil
– “JANELAS” – BPS22 – Museé D’art de la province de Hainaut, Charleroi, France
– “SETE+SETE” – Bratislava City Gallery, Bratislava, Slovakia
– “REFUNDING” – Reocupa Ocupação 9 de Julho Gallery, São Paulo, Brazil
2022
– “Calder: Dialogues” – USP Museum of Contemporary Art MAC
– “Other Memories”, Other Destinations – Works from the Teixeira de Freitas collection – Cordoaria Nacional Lisbon, Portugal
– “New Entry” – Gregor Ponder Gallery – Vienna, Austria
– “Playmode” – Banco do Brasil Cultural Centre – Rio de Janeiro, Belo Horizonte, São Paulo and Brasilia, Brazil
– ” Janelas ” – Une exposition dárt postal – MUSÉE D’ART MODERNE ET CONTEMPORAIN DE SAINT-ÉTIENNE, SAINT-ÉTIENNE, France
– “Ausente Manifesto” – Curated by Cauê Alves and Pedro Nery – SESC Araraquara, Brazil
– Imperios de lo Plural. Selected works from the Cisneros Fontanals Art Foundation Collection – MAZ – Zapopan Art Museum, Mexico
– “Obscura Luz” – Curated by Kiki Mazzucchelli, Galeria Luisa Strina, São Paulo, SP, Brazil
2021
– “Inaspettatamente” – Cloud seven – Frédéric de Goldsmidt Collection – Brussels, Belgium
– “Plural Domains”: Selected Works from the Cisneros Fontanals Art Foundation Collection
– ” A máquina do mundo”: Art and industry in Brazil 1901 – 2021
– “Pinacoteca do Estado” – São Paulo, SP
– ” Janelas para dentro ” – Casa Millan / Galeria Leme / Galeria Central – Curated by Guilherme Wisnik, São Paulo, Brazil
– ” Semana de 21 – Instituto Artium “, São Paulo, Brazil
– “Zona da Mata – MAM Museu de arte Moderna SP and MAC (Museu de arte Contemporânea)”, São Paulo, Brazil
– “O Canto do Bode”, Casa da Cultura de Comporta, Comporta, Portugal
2020
– “Samba in the Dark”, Anton Kern Galley, NY, USA
– “Stories of Abstraction: Contemporary Latin American Art in the Global Context”, Phoenix Art Museum, Phoenix, EUA
– “Obras-projeto: Novo acervo do MuBE”, Museu Brasileiro de Escultura e Ecologia, São Paulo, SP
– “Samba in the dark”, Anton Kern Gallery, Nova York, EUA
2019
– “Overview” – Inhotim Institute – Brumadinho – MG
– “‘O Que não É Floresta É Presso Político’, Reocupa Gallery, from Ocupação 9 de Julho, São Paulo, Brazil
– “Construções e Geometrias” – Dulce and João Carlos Figueiredo Ferraz Collection, MuBE, São Paulo, Brazil
2018
– “Plural domains – selected works from the CIFO collection as part of the 2018 Cuenca Biennial”, Museo de la Ciudad (Antigua Escuela Central) Benigno Malo y Gran Colombia, Cuenca, Ecuador
– “MAM 70”, Museu de Arte Moderna, São Paulo, Brazil
– “A vastidão dos mapas”, Palacete das Artes, Salvador, Brazil
– “O lugar do centro”, Central Galeria, São Paulo, Brazil
– “Visiones de la Tierra / El mundo planeado – Luís Paulo Montenegro Collection”, Sala de Arte Santander, Madrid, Spain
– “Afinidades Eletivas”, Esther Schipper Gallery, Berlin, Germany
– “Jardim das delícia com juízo final”, Galeria Cavalo, Rio de Janeiro, Brazil
2017
– “Art and Space”, Guggenheim Bilbao, Bilbao, Spain
– “2057”, NF Galeria, Madrid, Spain
– “Past/Future/Present”, Phoenix Art Museum, Phoenix, USA
– “Frestas Trienal”, SESC Sorocaba, Sorocaba, Brazil
– “In Memoriam”, Caixa Cultural Rio de Janeiro, Rio de Janeiro, Brasil
– “Passagens – Coleção de Serralves no Porto de Leixões”, Terminal de Cruzeiros, Matosinhos, Portugal
– “A vastidão dos mapas – arte contemporânea em diálogos com mapas da Coleção Santader Brasil”, MON Museu Oscar Niemeyer, Curitiba, Brazil
– “Avenida Paulista”, MASP Museu de Arte de São Paulo, São Paulo, Brazil
2016
– “Everyday Reflections in Abstraction”, Space Collection, Irvine, USA
– “Transparência e Reflexo”, MuBE Museu Brasileiro da Escultura, São Paulo, Brazil
– “Homo Ludens”, Galeria Luisa Strina, São Paulo, Brazil
– “Around the edge”, Broadway 1602, New York, USA
– “De lo espiritual en el arte”, MAMM Museo de Arte Moderno de Medellín, Colombia
– “Brazil, Beleza?! – Contemporary Brazilian Sculpture”, Museum Beelden aan Zee, The Hague, Netherlands
– “Mapas, Cartas, Guias e Portulanos”, Sala de Arte Santander, São Paulo, Brazil
– “O Estado da Arte”, Instituto Figueiredo Ferraz, Ribeirão Preto, Brazil
– “Obras”, Lora Reynolds Gallery, Austin, USA
2015
– “A Arte e a Ciência: nós entre os extremos”, Tomie Ohtake Institute, São Paulo, Brazil
– “Cidade Inquieta”, Sesc Rio Preto, São José do Rio Preto, Brazil
– “Site, Specific, Objects”, Galerija Gregor Podnar, Berlin, Germany
– “Biennial of the Americas”, MCA Museum of Contemporary Art, Denver, USA
– “Imaterialidade”, Sesc Belenzinho, São Paulo, Brazil
– “Empty House”, Luhring Augustine, New York, USA
– “Tijuana Editions – Publishing in the Frontier”, MdM Gallery, Paris, France
– “O Espírito de Cada Época”, Instituto Figueiredo Ferraz, Ribeirão Preto, Brazil
– “Akakor”, Galpão Baró Galeria, São Paulo, Brazil
– “From the Object to the World – Inhotim Collection”, Itaú Cultural, São Paulo, Brazil
– “Singularidades/Anotações: Rumos Artes Visuais 1998-2013”, curated by Aracy Amaral, Paulo Miyada and Regina Silveira, Palácio das Artes, Belo Horizonte, Brazil
– “ONE MADE IT NO RETURN CREATE EQUAL WHITE MIRROR AMNESIA, BROADWAY 1602”, New York, USA
– “Question Centre, Marcius Galan and Antonio Dias”, curated by Maria do Carmo Pontes, Pivô, São Paulo, Brazil
– “Ações, estratégias e situações nas coleções do MAM”, curated by Marta Mestre, MAM Rio Museu de Arte Moderna do Rio de Janeiro, Rio de Janeiro, Brazil
– “Verkehrte Welt”, Häusler Contemporary, Zurich, Switzerland
– “Naked Artist”, in collaboration with A. Kassen, Maisterravalbuena Galeria, Madrid, Spain
2014
– “Eu represento os artistas, Revisited”, curated by Fernanda Arruda, Galeria Luisa Strina, São Paulo, Brazil
– “Inside”, Palais de Tokyo, Paris, France
– “Spatial Acts: Americas Society Commissions Art”, New York, USA
– “Rumos singularidades”, Itaú Cultural, São Paulo, Brazil
– “Arquitectura del Desarraigo (Construyendo no-lugares)”, Wynwood, Miami, USA
– “Brazil: Arbeit und Freundschaft”, Pivô, São Paulo, Brazil
– “Imagine Brazil – artists books section”, Musée d’ art contemporain de Lyon, Lyon, France
– “Roesler Hotel #25 – dispositivos para um mundo (im)possível”, Galeria Nara Roesler, São Paulo, Brazil
– “140 Caracteres”, MAM Museu de Arte Moderna de São Paulo, São Paulo, Brazil
– “Cruzamentos: Contemporary Art in Brazil”, Wexner Center for the Arts, Columbus, USA
– “Experimentando Espaços”, Museu da Casa Brasileira, São Paulo, Brazil
– Vancouver Biennial, Vancouver, Canada
2013
– “Tight but Loose – Julio Suárez / Marcius Galan”, Galeria Agustina Ferreyra, San Juan, Puerto Rico
– “Imagine Brazil – artists books section”, Astrup Fearnley Museet, Oslo, Norway
– “Além da Biblioteca”, Frankfurt Book Fair, Frankfurt, Germany
– “30a Bienal”, curated by Luis Pérez-Oramas, Pavilhão Bienal de São Paulo, São Paulo, SP, Brazil
– “My third Country”, Frankdael, Amsterdam, Netherlands
– “Mitologias por Procuração”, MAM Museu de Arte Moderna de São Paulo, São Paulo, Brazil
– “Avante Brazil”, Kunst im Tunnel, Düsseldorf, Germany
– “In Lines and Realignments”, Simon Lee Gallery, London, UK
– “Dreaming is a form of planning”, Galeria Agustina Ferreyra, San Juan, Puerto Rico
– “Exposição de Verão”, Galeria Silvia Cintra + Box 4, Rio de Janeiro, Brazil
– “Circuitos Cruzados – Centre Pompidou meets MAM”, MAM Museu de Arte Moderna de São Paulo, São Paulo, Brazil
– “Blind Field”, Kannert Art Museum and Kinkead Pavvilion, Illinois, USA
2012
– “Planos de fuga – Uma exposição em obras”, curated by Jochen Vols and Rodrigo Moura, Centro Cultural, Banco do Brasil, São Paulo, Brazil
– “This is Brazil! 1990 – 2012”, curated by David Barro, El Kiosko Alfonso and Palexco, La Coruña, Spain
– “Expansivo”, Galeria Vermelho, São Paulo, Brazil
– “The Exact Weight of Lightness”, curated by Luiza Teixeira de Freitas and Thom O’Nions, Galeria Travessia, Cuatro, Madrid, Spain
– “Mapas Invisibles”, curated by Violeta Horcasitas, Galeria Luis Adelantado, Mexico
– “Curator’s Egg Altera Pars”, curated by Luiza Teixeira de Freitas, Anthony Reynolds Gallery, London, UK
2011
– “An Other Place”, Galerie Lelong, New York, USA
– “Mitologias”, curated by Kiki Mazzucchelli, Cité Internationale des Arts, Paris, France
– “Os Primeiros 10 Anos”, general curation by Agnaldo Farias, Tomie Ohtake Institute, São Paulo, Brazil
– “En Obras [under construction]”, Teixeira de Freitas Collection, curated by Adriano Pedrosa, Tenerife, Espacio de Las Artes (TEA), Tenerife, Canary Isands, Spain
– “Des(enho)”, curated by Rodrigo Moura, Galeria Casas Riegner, Bogota, Colombia
– “Nova Escultura Brasileira”, organized by Alexandre Murucci, Caixa Cultural, Rio de Janeiro, Brazil
– “Viewpoint”, Cisneros Fontanals Art Foundation 2011 Grants and Commissions Program, Miami, USA
– “O Colecionador de sonhos”, works from Figueiredo Ferraz collection, curated by Agnaldo Farias
– Instituto Figueiredo Ferraz, Ribeirão Preto, Brazil
– “Ensaios de Geopoética”, general curatorion by José Rocca, 8th Bienal do Mercosul, Porto Alegre, Brazil
– “2/3”, Galeria Pedro Cera, Lisbon, Portugal
– “Um Outro Lugar”, curated by Luisa Duarte, MAM, São Paulo, Brazil
– 29th Bienal de São Paulo: selected works, Museu do Estado, Recife, Brazil
– 29th Bienal de São Paulo: selected works, MAM, Rio de Janeiro, Brazil
– “Vestígios de brasilidade”, curated by Marcelo Campos, Centro Cultural Santander, Recife, Brazil
2010
– “Ha Sempre um Copo de Mar para um Homem Navegar”, 29a Biennial of São Paulo, Brazil
– “Para ser Construidos”, Laboratório 987 / MUSAC, Leon, Spain
– “Pontos de Vista”, Inhotim Institute, Brumadinho, Brazil
– “Falemos de casas: Quando a Arte Fala de arquitetura (construir, desconstruir, habitar)”, Lisbon’s Architecture Triennial, National Museum of Contemporary Art, Museu do Chiado, Lisbon, Portugal
– “Zona Maco Sur”, curated by Adriano Pedrosa, Zona Maco, Mexico City, Mexico
– “Dimensões variáveis”, Centro Cultural São Paulo, Brazil
– “1 de cada 1”, Galeria Silvia Cintra + Box4, Rio de Janeiro, Brazil
2009
– “La importancia del Pez Cebra”, curated by Diego Santomé, Pilar Parra & Romero Gallery, Madrid, Spain
– “Collector Collecting”, curated by Isobel Whitelegg and Maria do Mar Guinle, Gallery 32, London, UK
– “Jardim de Infância: Os irmãos Campana visitam o MAM”, São Paulo, Brazil
– “Atenção: Estratégias para perceber arte”, curated by Cauê Alves, Museu de Arte Moderna de São Paulo, MAM, São Paulo, Brazil
– “Desenhos [Drawings] A-Z”, curated by Adriano Pedrosa, Museu da Cidade, Lisbon, Portugal
– “Nova Arte Nova”, curated by Paulo Venâncio Filho, Centro Cultural Banco do Brasil, São Paulo, Brazil
– “Summer Show”, Galeria Box 4, Rio de Janeiro, Brazil
2008
– “Color into light”, selections from the MFAH Permanent Collection, curated by Alison de Lima Greene, Museum of Fine Arts Houston, USA
– “Nova Arte Nova”, curated by Paulo Venâncio Filho, Centro Cultural Banco do Brasil, Rio de Janeiro, Brazil
– “Passagens Secretas”, Centro Cultural São Paulo, Brazil
– “Active Forms”, curated by Fernanda Arruda Eleven Rivington Gallery, NY, USA
– “Soziale Diagramme. Planing Reconsidered”, curated by Axel Wieder and Jesko Fezer, Künstlerhaus Stuttgart, Germany
– “OIDARADIO”, curated by Kiki Mazucchelli and Nick Graham-Smith, Paço das Artes, São Paulo, Brazil
– “Contraditório”, Panorama da arte brasileira, curated by Moacir dos Anjos, Alcalá 31, Madrid, Spain
– “Looks Conceptual ou como confundi um Carl André com uma Pilha de Tijolos”, curated by Kiki Mazzucchelli, Galeria Vermelho, São Paulo, Brazil
2007
– “Contraditório”, curated by Moacir dos Anjos, Panorama da arte brasileira, MAM, São Paulo, Brazil
– “Manual, Instructions for beginners and advanced players”, Kronika Gallery, Bytom, Poland
– “Most curatorial bienal of the universe”, APEXART, NY, USA
– “Drawing is a verb [Desenhar é um verbo]”, curated by Adriano Pedrosa, Collection MCS, Galeria Porta 33, Funchal, Madeira Island, Portugal
2006
– “Geração da Virada – 10 + 1: Os Anos Recentes da Arte Brazileira”, curated by Agnaldo Farias and Moacir dos Anjos, Tomie Ohtake Institute, São Paulo, Brazil
– “Contrabando”, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, Brazil
– “PARALELA 2006”, organized by Daniela Bousso, Ibirapuera, Pavilhão Armando Arruda Pereira, São Paulo, Brazil
– “MAM na OCA”, curated by Cauê Alves, Felipe Chaimovich and Tadeu Chiarelli, Pavilhão da Oca, São Paulo, Brazil
– “Sem Título, 2006.”, with Eduardo Brandão and Jan Fjeld, MAM, São Paulo, Brazil
– “URBE”, curated by Cauê Alves, Casa Triângulo, São Paulo, Brazil
2005
– “Além da Imagem”, curated by Nessia Leonzi, Centro Cultural Telemar, Rio de Janeiro, Brazil
– “Amazonas: um Estado Sustentável”, Palácio do Rio Negro, Manaus, Brazil
– “VERBO”, Galeria Vermelho, curated by Marcos Galon e Daniela Labra, São Paulo, Brazil
– V Salão Nacional de Arte de Goiás, Goiânia, Brazil
– XI Salão Unama dos Pequenos Formatos, Belém, Brazil
2004
– “Fragmentos e Souvenires Paulistanos vol. 1”, curated by Adriano Pedrosa, Galeria Luisa Strina, São Paulo, Brazil
– “Paralela 2004”, São Paulo, Brazil
2003
– “A Nova Geometria”, curated by Adriano Pedrosa, Galeria Fortes Vilaça, São Paulo, Brazil
– Coletiva dos artistas residentes na Cité des Arts, Paris, France
– Coletiva Galeria Luisa Strina, São Paulo, Brazil
2002
– “Marrom”, Galeria Vermelho, São Paulo, Brazil
– “Desenhistas e Coloristas”, curated by Felipe Chaimovich, Galeria Luisa Strina, São Paulo, Brazil
– “Coleções III”, organized by Nessia Leonzi, Galeria Luisa Strina, São Paulo, Brazil
– “Paralela”, Galeria Fortes Vilaça; Casa Triângulo; Galeria Luisa Strina; Galeria Brito Cimino, São Paulo, Brazil
2000
– “Capela Sistina”, curated by Felipe Chaimovich, Galeria Luisa Strina, São Paulo, Brazil
– Rumos Visuais Itaú Cultural, São Paulo, Brazil
1999
– “Em Torno do Corpo”, curated by Viviane Matesco, travelling exhibition of the Rumos visuais Itaú Cultural program, Brazil
– Itaú Cultural Belo Horizonte, Brazil
– Itaú Galeria, Brasília, Brazil
– Itaú Galeria, Penápolis, Brazil
1998
– Salão Unama dos Pequenos Formatos, Belém, Brazil
– “Sem Cura”, Mezanino FAAP, São Paulo, Brazil
1997
– Semana de Artes FAAP, São Paulo, Brazil
1996
– “Programa Abra de exposições”, organized by Ricardo Trevisan, São Paulo, Brazil
1995
– “Prêmio Michelangelo de Pintura”, Centro Cultural São Paulo, São Paulo, Brazil
Awards and Scholarships
2013
– Gasworks International Residency Programme, London, UK
2012
– Pipa (Prêmio Investidor Profissional de Arte), Rio de Janeiro, Brazil
2011
– Cifo – Cisneros Fontanals comission Prize, Miami, USA
2009
– Prêmio aquisição SP-Arte/Iguatemi, aquisição para Pinacoteca do Estado, São Paulo, Brazil
2004
– Bolsa Instituto Iberê Camargo/Visiting Artists Program, School of the Art Institute of Chicago, USA
2003
– Bolsa Faap/Cité Internationale des Arts, Paris, France
1995
– Prêmio Michelangelo de Pintura, São Paulo, Brazil
Collections
– Museu Serralves, Porto, Portugal
– Pinacoteca do Estado de São Paulo, Brazil
– Museu de Arte Moderna de São Paulo, MAM, São Paulo, Brazil
– Museu de Arte Moderna do Rio de Janeiro, MAM Rio, Brazil
– Museum of Fine Arts, Houston, USA
– Coleção JUMEX, Mexico City, Mexico
– The Zabludowicz Collection, London, UK
– Coleção Madeira Corporate Services, Ilha da Madeira, Portugal
– Centro de Arte Contemporânea Inhotim, Brumadinho, Brazil
– Cifo, Cisneros Fontanals, Miami, USA
– Instituto Figuereido Ferraz, Ribeirão Preto, Brazil
– MALBA Museo de Arte Latinoamericano de Buenos Aires, Buenos Aires, Argentina
– Nicolas Cattelain Collection, London, UK.
First interview with Marcius Galan during his residency at Gasworks, London, June 2013: Second interview with Marcius Galan during his residency at Gasworks, London, July 2013: Third interview with Marcius Galan during his residency at Gasworks, London and about his exhibition at White Cube, London with special participation of Curator Irene Bradbury, September 2013:
‘A Poesia da Matemática’ (O Globo, August, 2010) ‘Brazil’s new generation: Names to watch’ (Financial Times, March, 2014)
– http://mgtexto.blogspot.com/2010/08/area-util-area-comum-materia-o-globo.html
–http://www.ft.com/cms/s/2/8d820b1a-b0bc-11e3-bbd4-00144feab7de.html
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