(this page was last updated in August 2020)
Carmo do Paranaíba, Brazil, 1979.
Lives and works in São Paulo, Brazil.
Represented by Galeria Luisa Strina.
PIPA 2010 and 2020 nominee.
Thiago Honório holds a bachelor’s degree in Plastic Arts by Universidade Estadual Paulista – Unesp, a Master’s in theory and history of art and has a Doctorate in Visual Arts by Escola de Comunicação e Arte da Universidade de São Paulo – ECA/SP, under the orientation of the Professor Sônia Salzstein. Thiago Honório’s practice comes from an interdisciplinary matrix, animated by a traffic between the ordinary and the extraordinary, by reunions of distinct temporalities starting from an experience between the intimate and the public spheres, by different knowledges, exchanges, and based on procedures like displacements, collections, cuts and assemblies. Among the main individual exhibitions and group shows are “The Red Studio” (ISCP, NY, 2018/2019); “Solo” (Galeria Luisa Strina, SP, 2017); “Trabalho” (MASP, SP, 2016); “Boate azul” (in collaboration with Pedro Vieira, Museu de Arte da Pampulha, MG, 2016); “Títulos” (Paço das Artes, 2015). He is the author of “DULCINÉIA” (in collaboration with the collective Dulcinéia Catadora, first edition 2017, second edition 2018); “Augusta” (Ikrek, 2017) and “{[( )]}” (Ikrek, 2016). His works compose the collections of Itaú Cultural, SP, Brazil; Museu de Arte de São Paulo – MASP, SP, Brazil; Museu de Arte do Rio – MAR, RJ; Museu de Arte Brasileira – MAB/Faap, SP, Brazil; Museu de Arte Contemporânea de Niterói – MAC/Niterói, RJ, Brazil; Museu de Arte Contemporânea da Universidade de São Paulo – MAC/USP, SP, Brazil; Museu de Arte Moderna de São Paulo – MAM, SP, Brazil; Museu de Arte da Pampulha, BH, Brazil; Pinacoteca do Estado de São Paulo, SP, Brazil; The New York Public Library, New York, United States of America.
Video produced by Do Rio Filmes, exclusively for PIPA Prize 2020:
About the artworks
– “Readings”, 2015-2018
Three volumes of the first issue of Mário de Andrade’s (1893-1945) book Aleijadinho e Alvares de Azevedo; replicas of the hands of São Simão Stock sculptures, made in 1779 by Antônio Francisco Lisboa – Aleijadinho (1738-1814), carved in cedar by “santeiros” from Minas Gerais; daily public readings corresponding to the open volume pages in the museum, from the text “O Aleijadinho e a sua posição nacional”, 1928, by Mário de Andrade, held in Congonhas, MG, Brazil, at Santuário do Bom Jesus de Matosinhos during the exhibition period; variable dimensions
Sculpture: Marçal José Rosa Roberto
Polychrome: Mauro do Espírito Santo de Souza
Reading: Alencar Benedito Reis
Video: Pedro Paixão Tavares
Production: Adriano Reis Ramos and Luciomar Sebastião de Jesus
Photo: Edouard Fraipont
Education
2013
– Characters and literary perversions, by Eliane Robert Moraes, Centro Universitário Maria Antonia, SP, Brazil
– Programa Independente da Escola São Paulo – PIESP, 2013-2014, directed by: Adriano Pedrosa and co-directed by: Ana Paula Cohen. Meetings with Adriano Pedrosa, Amilcar Packer, Ana Paula Cohen, Carla Zaccagnini, Lilia Moritz Schwarcz, Luisa Duarte, Marcos Moraes, Maurício Dias, Pablo León De La Barra, Pedro Cezarino e Rodrigo Moura, Escola São Paulo, SP, Brazil
2011
– Study group Centro de Pesquisa em Arte Brasileira. Department of Visual Arts from Escola de Comunicações e Artes da Universidade de São Paulo – ECA/USP, SP, Brazil
2008 – 2011
-PhD in Visual Arts from Escola de Comunicações e Artes da Universidade de São Paulo (ECA–USP), under the guidance of PhD Prof. Sônia Salzstein
2007
– Georges Bataille and the low materialism, by Eliane Robert Moraes, Centro Universitário Maria Antonia, SP, Brazil
2003 – 2006
– MD in Theory and History of Art, Escola de Comunicações da Universidade de São Paulo (ECA–USP), under the guidance of free teacher Prof. Sônia Salzstein
2000 / 2001
– Study group under the guidance of Paulo Monteiro. Meetings with José Resende, Carmela Gross, Cássio Michalany, Alberto Tassinari, Nuno Ramos, Sônia Salzstein e Paulo Pasta
1997 – 2000
– BD in Fine Arts, Universidade Estadual Paulista (UNESP), São Paulo, Brazil
Solo Exhibitions
2018
– “The Red Studio”, ISCP/NYC, New York, EUA
2017
– “Solo”, Galeria Luisa Strina, São Paulo, Brazil
– “Dulcinéia”, in collaboration with Dulcinéia Catadora, Dulcinéia Catadora, Tijuana, São Paulo, Brazil
– “Augusta”, Ikrek, Galeria Luisa Strina, São Paulo, Brazil
2016
– “Trabalho”, curated by Fernando Oliva, Museu de Arte de São Paulo – MASP, São Paulo, Brazil
– “{[( )]}” , published by Ikrek / ProAC, Tijuana, São Paulo, Brazil
– “Disposição”, curated by Ana Paula Cohen, ateliê do artista, São Paulo, Brazil
2015
– “Títulos”, Paço das Artes, São Paulo, Brazil
2012
– “Voilà”, guest artist in the 44a Anual de Arte, Museu de Arte Brasileira – MAB/Faap, São Paulo, Brazil
– “Suite de variations”, Cité Internationale des Arts, Paris, France
2011
– “Corte”, Galeria Laura Marsiaj, Rio de Janeiro, Brazil
– “Exposição” , Palácio das Artes, Belo Horizonte, Brazil
2010
– “Corte”, Galeria Virgilio, São Paulo, Brazil
2007
– “Exposição” ,Galeria Virgilio, São Paulo, Brazil
2003
– “Assento do cocheiro”, Centro Universitário Maria Antonia, São Paulo, Brazil
– “Saltando de banda”, Galeria 10,20 X 3,60, São Paulo, Brazil
2001
– Centro Cultural São Paulo (CCSP), São Paulo, Brazil
Group Exhibitions
2019
– “Narrativas em processo: Livros de artistas na Coleção Itaú Cultural”, curated by Felipe Scovino, Palácio das Artes, Belo Horizonte, Brazil
– “Living Room”, curated by Amanda Abi Khalil, ISCP/NYC, New York, EUA
– “Luto Tropical”, curated by Paula Borghi, PASTO, Buenos Aires, Argentina
– “Palavras somam”, curated by Laura Rodriguéz, Museu de Arte Brasileira – MAB/Faap, São Paulo, Brazil
2018
– “No name”, Museo Nacional de San Carlos, Cidade do México, Mexico, Brazil
– “Cartoneras: releituras latino-americanas”, curated by Alex Flynn e Beatriz Lemos, Casa do Povo, São Paulo, Brazil
– “Brasil Desamparado: Verzuimd Braziel”, curated by Josué Mattos, Museu de Arte de Santa Catarina, Florianópolis, Brazil; Museu Histórico Nacional, Rio de Janeiro, Brazil; Museu de Arte Contemporânea de Goiás – MAC/GO, Goiânia, Brazil
– “Paradoxo(s): Diálogos entre o acervo do MAC USP e o acervo do Paço das Artes”, curated by Ana Magalhães e Priscila Arantes, Museu de Arte Contemporânea – MAC/USP, São Paulo, Brazil
– “Antes que as traças nos devorem”, curated by Paula Borghi, Museu Murillo La Greca, Recife, Brazil
– “Missread Berlin”, Haus der Kulturen der Welt, Berlin, Germany
– “Narrativas em processo: Livros de artistas na Coleção Itaú Cultural”, curated by Felipe Scovino, Museu Oscar Niemeyer – MON, Curitiba, Brazil
– 8o Festival de Fotografia de Tiradentes / convocatória Zum IMS, Sobrado Aimorés, Tiradentes, Brazil
– “Imagens do Aleijadinho”, curated by Rodrigo Moura, Museu de Arte de São Paulo – MASP, São Paulo, Brazil
– “Sobre publicações”, curated by Paula Borghi, Red Bull Station, São Paulo, Brazil
– P/B Acervo MAB, Museu de Arte Brasileira – MAB/Faap, São Paulo, Brazil
2017
– “Livres et revues d’artistes: une perspective brésilienne”, Éditions Incertain sens / Cabinet du livre d’artiste, Université Rennes 2, Rennes, France
– “60 anos, museu + residência”, Museu de Arte da Pampulha, Belo Horizonte, Brazil
– “Um atrapalho no trabalho (apud Paulo Leminski)”, curated by Rodrigo Moura, Museu de Artes e Ofícios, Belo Horizonte, Brazil
– “Frestas Trienal 2017: Entre Pós-Verdades e Acontecimentos”, curated by Daniela Labra, SESC Sorocaba, São Paulo, Brazil
– “Almeida Júnior, Engel Leonardo, Maíra das Neves, Thiago Honório”, curated by Bernardo Mosqueira e Ulisses Carrilho, Solar dos Abacaxis, Rio de Janeiro, Brazil
– “Entre nós – A figura humana no acervo do MASP”, curated by Rodrigo Moura e Luciano Migliacio, Centro Cultural Banco do Brasil – CCBB, Belo Horizonte, Brazil
– “Pau-Brasil”, curated by Jorge Schwartz e Gênese Andrade, in the context of the release of “Poesias reunidas”, by Oswald de Andrade, Museu Lasar Segall, São Paulo, Brazil
2016
– “Rola Roca Roça”, curated by Paula Borghi, Saracura, Rio de Janeiro, Brazil
– “Porque somos elas e eles”, curated by Josué Mattos, Blau Projects, São Paulo, Brazil
– “Boate Azul”, in collaboration with Pedro Vieira – 6a Bolsa Pampulha, curated by Cauê Alves. Selection and monitoring: Augusto Fonseca, Cauê Alves, Luisa Duarte, Mabe Bethônico and Moacir dos Anjos, Museu de Arte da Pampulha, Belo Horizonte, Brazil
2015
– “Coleções 10”, organized by Nessia Leonzini and Liu Lage, Galeria Luisa Strina, São Paulo, Brazil
2014
– “… pegaríamos as coisas onde elas crescem, pelo meio”, curated by Galciani Neves, Blau Projects, São Paulo, Brazil
– “Residências artísticas como ambientes de práticas artísticas”, curated by Marcos Moraes, MAB/Centro, São Paulo, Brazil
– PIESP 2013/2014, curated by Tomás Toledo, Casa do Povo, São Paulo, Brazil
– “Encontro de mundos”, curated by Paulo Herkenhoff, Museu de Arte do Rio – MAR, Rio Janeiro, Brazil
– “Pop up Multiplique Boutique”, Alex Cerveny, Edgard de Souza, Marilá Dardot, Mônica Nador, Paulo Bruscky, Rochelle Costi and Thiago Honório, curated by Gabriela Inui, Galeria Nacional, São Paulo, Brazil
– “Entre nós”, Marton Estúdio, São Paulo, Brazil
– Alessandra Domingues, Chico Togni, Fabiana Faleiros, Raquel Uendi, Rodopho Parigi and Thiago Honório, curated by Paula Borghi, Galeria Principal, Red Bull Station, São Paulo, Brazil
2013
– “o Agora, o Antes, uma síntese do acervo do MAC”, curated by Tadeu Chiarelli, Museu de Arte Contemporânea – MAC/USP, São Paulo, Brazil
– Dublê, Multiplique Boutique Art Editions, Brazil ArtFair, Miami, EUA
– Alessandra Domingues, Chico Togni, Fabiana Faleiros, Raquel Uendi, Rodopho Parigi and Thiago Honório, curated by Paula Borghi, Galeria Transitória, Red Bull Station, São Paulo, Brazil
– “La piel que habito”, curated by Monica Espinel, Laboratório Curatorial, sp-Arte, Pavilhão Bienal, São Paulo, Brazil
– “Estranhamente familiar / Unheimlich”, Alice Miceli, Mariana Manhães, Rodrigo Matheus, Thiago Honório, curated by Paulo Miyada, Instituto Tomie Ohtake, São Paulo, Brazil
– “Convite à viagem – Rumos Artes Visuais 2012/2013”, curated by Agnaldo Farias, Paço Imperial, Rio de Janeiro, Brazil
– Itinerância da 44a Anual de Arte, guest artist, FAAP – Campus Ribeirão Preto, São Paulo, Brazil; Campus São José dos Campos, São Paulo, Brazil
– “Confluência”, Galeria OÁ, Casa Cor, Vitória, Brazil
2012
– “Intuição et cetera”, Itinerância Rumos Artes Visuais 2012/2013, curated by Matias Monteiro, Paulo Miyada and Vânia Leal, Museu de Arte Moderna – Mamam, Recife, Brazil
– “Open Studio – 14 solo shows en une seule nuit”, Cité Internationale des Arts, Paris, France
– “Volta ao dia em 80 mundos”, Itinerância Rumos Artes Visuais 2012/2013, curated by Ana Maria Maia, Frazoi and Marcelo Campos, Galerias de Arte Frei Confaloni e Sebastião dos Reis, Goiânia, Brazil
– “Convite à viagem”, Rumos Artes Visuais 2012/2013, curated by Agnaldo Farias, Itaú Cultural, São Paulo, Brazil
2011
– “A sangue frio”, curated by Jacopo Crivelli Visconti, Galeria Moura Marsiaj, São Paulo, Brazil
– “Nova Escultura Brasileira”, curated by Alexandre Murucci, Caixa Cultural, Rio de Janeiro, Brazil
– “Coletiva”, Galeria Virgilio, São Paulo, Brazil
2010
– “Incompletudes”, curated by Mario Gioia, Galeria Virgilio, São Paulo, Brazil
– sp-arte / International Art Fair of São Paulo, Stand Galeria Virgilio, Pavilhão da Bienal, São Paulo, Brazil
2009
– “Múltiplos e Pequenos Formatos”, Galeria Virgilio, São Paulo, Brazil.
– sp-arte / International Art Fair of São Paulo, Stand Galeria Virgilio, Pavilhão da Bienal, São Paulo, Brazil
– “Realidades Imprecisas”, curated by Carolina Soares, SESC Pinheiros, São Paulo, Brazil
2008
– MAM 60, curated by Annateresa Fabris and Luis Camillo Osorio, OCA, Parque do Ibirapuera, São Paulo, Brazil
– “Coletiva/br 2008”, Galeria Virgilio, São Paulo, Brazil
– Awards Salão de Abril / Edition of 2007, curated by Cristiana Tejo, Galeria Antonio Bandeira, Fortaleza, Brazil
– X Salão Nacional Victor Meirelles, selection by Ana Conzález, Anita Koneski, Cauê Alves, Márcio Sampaio and Paulo Herkenhoff, Art Museum of Santa Catarina (MASC) Florianópolis, Brazil
2007
– 58th Salão de Abril, selection by Bitú Cassundé, Cauê Alves and Cristiana Tejo, Museu de Arte da Universidade Federal do Ceará (MAUC) Fortaleza, Brazil
– 1st Bienal de Arte do Triângulo, selection by Ana Paula Felicíssimo Camargo de Lima, Cauê Alves, Heliana Ometto Nardin and Marco Pasqualini de Andrade, Uberlândia, Brazil
2006
– MAM [na] OCA, curated by Cauê Alves, Felipe Chaimovich and Tadeu Chiarelli, OCA, Parque do Ibirapuera, São Paulo, Brazil
– URBE, curadoria de Cauê Alves, Galeria Casa Triângulo, São Paulo, Brazil
– IX Pratos para arte, Museu Lasar Segall, São Paulo, Brazil
2004
– Photography and Sculpture at the collection MAM (1995-2004), curated by Tadeu Chiarelli, Modern Art Museum in São Paulo (MAM SP), São Paulo, Brazil
– São Paulo at MAM’s collection, curated by Tadeu Chiarelli, Modern Art Museum in São Paulo (MAM SP), São Paulo, Brazil
– 9th Bienal de Santos, curated by Juliana Monachesi, Stella Teixeira de Barros and Taisa Palhares, Santos, São Paulo, Brazil
– 1st Chamex Prize, selection and curatorship by Agnaldo Farias, Eduardo Brandão, Flávia Ribeiro, Lorenzo Mammì and Stela Barbieri, Instituto Tomie Ohtake, São Paulo, Brazil
2003
– “Plano de saúde e casa própria”, Galeria Rosa Barbosa, São Paulo, Brazil
2002
– Collection, Galeria Celma Albuquerque, Belo Horizonte, Brazil
– 8th Bienal de Santos, curated by Angélica de Moraes, Daniela Bousso and Lorenzo Mammì, Santos, Brazil
– 6th Bienal do Recôncavo, São Félix, Brazil0
– Mostra SESC de Artes Ares e Pensares, SESC Belenzinho, São Paulo, Brazil
– Edital 2002, selection by Geraldo Porto, Marco do Valle, Maria Bonomi, Paulo de Tarso and Ricardo Trevisan, Museum of Contemporary Art of Campinas “José PancettiI” (MACC), Campinas, Brazil
– 5th Revelação Artes Plásticas Prize, selection by Celso Favaretto, Fabio Cypriano e Ricardo Resende, Museu de Arte Contemporânea de Americana, São Paulo, Brazil
– 1st Salão de Arte Contemporânea de São José dos Campos, selection by Bene Viana, Célia Euvaldo and Rodrigo Naves, Fundação Cultural Cassiano Ricardo, São José dos Campos, São Paulo, Brazil
– 27st Contemporary Art Ribeirão Preto Salon, selection by Angélica de Moraes, Juliana Monachesi and Sergio Romagnolo, Ribeirão Preto, Brazil
– 34st Contemporary Art Piracicaba Salon, selection by Antonio Peticov, Celso Fioravante and Leda Catunda, Parque Engenho Central, São Paulo, Brazil
– II Art Salon Uni-BH, Belo Horizonte, Brazil
– Casa dos Contos, Ouro Preto, Brazil
– “Três desenhos”, Galpão do Instituto de Artes da Unesp, São Paulo, Brazil
2001
– Collective of the Program of Exhibitions, selection by José Resende, Marco Gianotti and Rejane Cintrão, Centro Cultural São Paulo (CCSP), São Paulo, Brazil
– 4º Prêmio Revelação Artes Plásticas, selection by Juliana Monachesi, Ricardo Resende and Tadeu Chiarelli, Museu de Arte Contemporânea de Americana, São Paulo, Brazil
– Edital 2001, selection by Agnaldo Farias, Cristina Freire and Marco Gianotti, Museu de Arte Contemporânea de Campinas “José Pancetti” (MACC), Campinas, Brazil
– Flávia Bertinato, Thiago Honório and Vanderlei Lopes, Galeria Rosa Barbosa, São Paulo, Brazil
2000
– “Tatiana Ferraz and Thiago Honório”, Instituto de Artes da Unesp, São Paulo, Brazil
– “Quarto Barro”, Galeria do Instituto de Artes da Unesp, São Paulo, Brazil
1999
– XXVI Salão de Arte Jovem, “Primeira Mão”, Brazil Cultural Center / Estados Unidos (CCBEU), Santos, Brazil
Honorable Mentions, Nominations and Prizes
2018
– Director’s Circle, International Studio & Curatorial Program, nomeado por Allan Schwartzman New York, EUA
2016
– Awarded with the Programa Ação Cultural – ProAC Arte Visuais / “Livro de artista” no 16, Ikrek, Tijuana, São Paulo, Brazil
– 6a Bolsa Pampulha, selection by Augusto Fonseca, Cauê Alves, Luisa Duarte, Mabe Bethônico and Moacir dos Anjos. Monitoring by Cauê Alves, Luisa Duarte, Mabe Bethônico and Moacir dos Anjos, Museu de Arte da Pampulha, Belo Horizonte, Brazil
2015
– Programa de Residência Artística do Paço das Artes, selection by Marcelo Amorim, Nancy Betts e Priscila Arantes. Critical monitoring by Galciani Neves, Marcos Moraes and Nancy Betts. Paço das Artes, São Paulo, Brazil
2013
– Programa de Residência Artística Red Bull Station, selection by Maria Montero, Nancy Betts and Paula Borghi. Monitoring by Paula Borghi, São Paulo, Brazil
2012
– Programa de Residência Artística da Cité Internationale des Arts, in Paris, by Fundação Armando Alvares Penteado – FAAP, Paris, France
2010
– Selected artist for the Projeto Studio visits, curated by Stefanie Hessler, Goethe- Institut
– Nominated artist for the Prêmio Investidor Profissional de Arte – Prêmio Pipa, 1a edição, Rio de Janeiro, Brazil
2009
– Selected artist for the Project ArteAcesso-BR, Rio de Janeiro, Brazil
2007
– Exhibition Prize, 58º Salão de Abril, Art Museum of the Federal University of Ceará (MAUC), Fortaleza, Brazil
2005
– Award Winner of the National section of the Latin Union of Young Visual Artist Prize, appointed by Adolfo Montejo Navas, Dora Basílio and Luis Camillo Osorio, (2005 edition)
2004
– Selected for the semifinal of Prêmio CNI SESI Bolsa Marcantonio Villaça, selection by Lisette Lagnado, Marcus Lontra and Rodrigo Moura (appointed at the 1st edition of the prize in 2004)
– Special Mention at 4th Bolsa Iberê Camargo at the Foundation website, selection by Carlos Pasquetti, Karin Lambrecht, José Luiz Pelegrin and Lucia Koch, Fundação Iberê Camargo, (2004 edition)
Public Collections
– Itaú Cultural, São Paulo, Brazil
– Museu de Arte de São Paulo – MASP, São Paulo, Brazil
– Museu de Arte do Rio – MAR, Rio de Janeiro, Brazil
– Museu de Arte Brasileira – MAB/Faap, São Paulo, Brazil
– Museu de Arte Contemporânea de Niterói – MAC/Niterói, RJ Museu de Arte Contemporânea – MAC/USP, São Paulo, Brazil
– Museu de Arte Moderna de São Paulo – MAM, São Paulo, Brazil
– Museu de Arte da Pampulha, Belo Horizonte, Brazil
– Pinacoteca do Estado de São Paulo, São Paulo, Brazil
– The New York Public Library, New York, United States of America
Other Publishing
2018
– “Dulcinéia, 2a edição”, in collaboration with Dulcinéia Catadora, published by Dulcinéia Catadora, São Paulo, Brazil
2017
– “Augusta”, published by Ikrek, Galeria Luisa Strina, São Paulo, Brazil
– “Dulcinéia”, in collaboration with Dulcinéia Catadora, published by Dulcinéia Catadora, Tijuana, São Paulo, Brazil
2016
– “{[( )]}”, book-art piece published by Ikrek / ProAC, Tijuana, São Paulo, Brazil
2011
– Made the cover for the book “Ética e liberdade em Michel Foucault”, by Celso Kraemer, Educ, São Paulo, Brazil
– Made the cover for the book “Travessias poéticas – Poesia contemporânea”, organized by Vera Bastazin, Educ, São Paulo, Brazil
2010
– Co-organizor of the three volumes of the publication “Teatro e dança: Repertórios”, by Fundação para o Desenvolvimento da Educação e Secretaria Estadual da Educação do Estado de São Paulo – SEE/SP, São Paulo, Brazil
– Co-organizor of the book “Gerty Saruê”, EDUSP, São Paulo, Brazil
2009
– Drawings done for the Revista de Literatura Brasileira “Teresa” 8/9, Editora 34 and Imprensa Oficial do Estado de São Paulo – IMESP, São Paulo, Brazil
2007
– Wrote the text “Método impreciso”, about the book that explores the works of the artist Gerty Saruê, EDUSP, São Paulo, Brazil
2006
– Made the chronology about the works of the artist Waltercio Caldas, published at <www.walterciocaldas.com.br>
– Made the cover for the book “Aura – A crise da arte em Walter Benjamin”, by Taisa Palhares, Editora Barracuda, São Paulo, Brazil
– Co-editor of the catalogue “Antonio Lizárraga I Deslocamentos gráficos”, Pinacoteca do Estado, São Paulo, Brazil
2005
– “Vice-versa”: Animation published at the website “Canal Contemporâneo”
2003
– Illustration for the newspaper section “Mais!” of Folha de São Paulo, São Paulo, Brazil
– Illustration for the inside of the issue “Idéias 31 – Educação com arte, Fundação para o Desenvolvimento da Educação e Secretaria do Estado da Educação do Estado de São Paulo – SEE/SP”, São Paulo, Brazil
2002
– Illustrations for the newspaper section “Jornal de Resenhas” of Folha de São Paulo, São Paulo, Brazil
– Illustration for the cover and the inside of the contemporary literature critics magazine “Rodapé”, São Paulo, Brazil
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