(this page was last updated in June 2019)
São Paulo, Brazil, 1985.
Lives and works in São Paulo, Brazil.
Represented by Galeria Leme.
PIPA Prize 2019 Finalist.
PIPA Prize 2016,2018 and 2019 nominee.
His works synthesize the content of his researches and formalization strategies, calling us to examine the structures of power involved in the production of history. In audiovisual pieces, objects and critical texts, Lauriano shows how violent relations maintained between the institutions of power and State control – such as the police, prisons, embassies, borders – and subjects shape the subjective processes of society. Thus, his production seeks to bring to the surface historical traumas relegated to the past, to confined files, proposing in alternative to collectively revise and rework history.
Website: jaimelauriano.com
Video produced by Do Rio Filmes exclusively for PIPA 2019:
“Justiça e Barbárie [Justice and Barbarity]”, 2017, video, 2’31 ” “O Brasil [The Brazil]”, 2014, video, 18’56” “Sudden death”, 2014. Duration: 24’71” “O Brasil”, 2014. Duration: 18’56” “In exhibition”, 2013. Duration: 8’54” Untitled #3 (the house), 2010. Duration: 1’49” Series of videos about the process of rebuilding great urban centres. “Contribuinte”, 2007. Duration: 51” Video that registers the action of setting fire to a mappa mundi
People cover their faces with the Brazilian national team shirt from 1970 whilst the narrator reads a list of dead and missing politicians of the same year.
Video executed with newspaper articles between the years of 1964 and 1968, with official propagandas that exalt nationalism and the implementation of fear to control society during the rule of the federal governments in the military dictatorship.
In the city of São Paulo thousands of people work for the real-estate speculation, several of whom work in precarious conditions. This interview was conducted in 2013, with people who work in sales, demolitions and construction of properties in São Paulo. The interviewees requested that the conversations were not recorded in audio or video, fearing the retaliation of the companies for which they work for.
Graduated from the Centro Universitário Belas Artes de São Paulo, in 2010. Among his most recent exhibitions, there are the solo shows: “Nessa terra, em se plantando, tudo dá”, Centro Cultural Banco do Brasil, Rio de Janeiro, Brasil, 2015; “Autorretrato em Branco sobre Preto”, Galeria Leme, São Paulo, Brazil, 2015; “Impedimento”, Centro Cultural São Paulo, São Paulo, Brazil, 2014; “Em exposição”, SESC, São Paulo, Brazil, 2013; and the group exhibitions: “Totemonumento”, Galeria Leme, São Paulo, Brazil, 2016; “10TH Bamako Encouters”, National Museum, Bamako, Mali, 2015; “Empresa Colonial”, Caixa Cultural, São Paulo, Brazil, 2015; “Frente a Euforia”, Oficina Cultural Oswald de Andrade, São Paulo, Brazil, 2015; “Tatu: futebol, adversidade e cultura da caatinga”, Museu de Arte do Rio (MAR), Rio de Janeiro, Brazil, 2014; “Taipa-Tapume”, Galeria Leme, São Paulo, Brazil, 2014; “Espaços Independentes: A Alma É O Segredo Do Negócio”, Funarte, São Paulo, Brazil, 2013. He has works in the public collections of the Pinacoteca do Estado de São Paulo and Museu de Arte do Rio (MAR).
- “Assentamento”, by Bernardo Mosqueira (40KB)
- “In this land, whatever is planted will grow”, by Germano Dushá (24KB)
- “Jaime Lauriano – A conceptual transition”, by Leonardo Araújo (24KB)
- “Impedimento”, by Daniela Castro (36KB)
- “A History narrated in the first-person singular”, by Isabella Rjeille (42KB)
- “Brinquedo de furar moletom (toy that pierce sweatpants)”, by Raphael Fonseca (58KB)
Education
2006-2010
– BA Visual Arts, Centro Universitário Belas Artes De São Paulo
2013-2014
– Programa Independente da Escola São Paulo (PIESP), directed by Adriano Pedrosa, Brazil
Solo Exhibitions
2018
– “Marcas”, Fundação Joaquim Nabuco, Recife, Brazil
– “Ao Norte do Rio”, Sesc Santana, São Paulo, Brazil
– “Brinquedo de furar moletom”, MAC Niterói, Rio de Janeiro, Brazil
2017
– “Assentamento”, Galeria Leme, São Paulo, Brazil
2015
– “Nessa terra, em se plantando, tudo dá”, Centro Cultural Banco do Brasil, Rio de Janeiro, Brazil
– “Autorretrato em Branco sobre Preto”, Galeria Leme, São Paulo, Brazil
2014
– “Impedimento”, Centro Cultural São Paulo, São Paulo, Brazil
2013
– “Em Exposição”, Sesc Consolação, São Paulo, Brazil
2010
– “Olhares, Escutas E Outras Histórias”, Sesc, Ribeirão Preto, Brazil
Selected Group Exhibitions
2018
– “Quem não luta tá morto – arte democracia utopia”, Museu de Arte do Rio, Rio de Janeiro, Brazil
– “Exceção”, Espaço Cultural Casa do Lago, Unicamp, Campinas, São Paulo, Brazil
– Itinerância 20º Festival de Arte Contemporânea Sesc_Videobrasil, São Paulo, Brazil
– “Sur Vecino: Obras del Acervo Histórico Videobrasil”, Fundación Plural Nodo Cultural, Bogotá, Colombia
– “Estado(s) de Emergência, Oficina Cultural Oswald de Andrade, São Paulo, Brasil
– “Histórias Afro-Atlânticas”, MASP and Instituto Tomie Ohtake, São Paulo, Brazil
– Prêmio Marcantonio Vilaça, Museu Histórico Nacional, Rio de Janeiro, Brazil
– “O Rio do Samba: resistência e reinvenção da cultura do Rio de Janeiro”, Museu de Arte do Rio (MAR), Rio de Janeiro, Brazil
– “The World’s Game: Fútbol and Contemporary Art”, Pérez Art Museum Miami, Miami, USA
– 11th Bienal de Artes Visuais do Mercosul, Triângulo do Atlântico, Porto Alegre, Brazil
2017
– “Hiatus: a memória da violência ditatorial na América Latina”, Memorial da Resistência de São Paulo, Estação Pinacoteca, São Paulo, Brazil
– “Levantes”, SESC Pinheiros, São Paulo, Brazil
– “As Bandeiras da Revolução: Pernambuco 1817 – 2017”, Fundação Joaquim Nabuco, Recife, Brazil
– “MANJAR”, Solar dos Abacaxis, Rio de Janeiro, Brazil
– “Arte Pará”, Casa das Onze Janelas, Belém, Brazil
– “How to Remain Silent”, A4 Arts Foundation, Cape Town, South Africa
– “Agora somos todxs negrxs?”, Associação Cultural Videobrasil, São Paulo, Brazil
– “Quando as formas de tornam relatos”, Casa de Cultura da América Latina (CAL/UnB), Brasília, Brazil
– “À noite, o mundo se divide em dois”, Ateliê 397, São Paulo, Brazil
– “São Paulo não é uma cidade, invençōes do centro”, SESC 24 de Maio, São Paulo, Brazil
– “Osso: Exposição-apelo ao amplo direito de defesa de Rafael Braga”, Tomie Ohtake Institute, São Paulo, Brazil
– “Modos de Ver o Brasil: Itaú Cultural 30 Anos”, Oca, São Paulo, Brazil
– “Travessias 5 : Emergências”, Galpão Bela Maré, Rio de Janeiro, Brazil
– “Festival de Arte Contemporânea Sesc_Videobrasil”, São Paulo, Brazil
– “Prêmio Marcantonio Vilaça”, MuBE – Museu Brasileiro da Escultura, São Paulo, Brazil
– “Metrópole: Experiência Paulistana”, Estação Pinacoteca, São Paulo, Brazil
– “The Atlantic Triangle”, Lagos, Nigéria; Saracura, Rio de Janeiro, Brazil
– “Permissão para falar”, Athena Contemporânea, Rio de Janeiro, Brazil
– “Miniaturas, maquetes, vodu e outras projeções políticas”, Blau Projects, São Paulo, Brazil
– “WELT KOMPAKT?”, frei_raum Q21, Viena, Austria
2016
– “Secretaria de Insegurança Pública [de São Paulo]”, SAO Espaço de Arte, São Paulo, Brazil
– “Sempre Algo Entre Nós”, SESC Belenzinho, São Paulo, Brazil
– “A Cor do Brasil”, Museu de Arte do Rio (MAR), Rio de Janeiro, Brazil
– “A Conversão de São Paulo”, Ateliê Fidalga, São Paulo, Brazil
– “O Muro: Rever o Rumo”, Central Galeria, São Paulo, Brazil
– “Jogo de Forças”, Temporada de Projetos 2016, Paço das Artes, São Paulo, Brazil
– “Totemonumento”, Galeria Leme, São Paulo, Brazil
2015
– “Territórios: artistas afrodescendentes no acervo da pinacoteca’, Pinacoteca do Estado de São Paulo, São Paulo, Brazil
– “10TH Bamako Encouters, Museu Nacional, Bamako, Mali (com lanchonete.org)
– “Morro’, A Mesa, Rio de Janeiro, Brazil
– “Voragem da História’, Observatório, São Paulo, Brazil
– “Rio Setecentista’, Museu de Arte do Rio (MAR), Rio de Janeiro, Brazil
– “Na iminência’, Blau Projects, São Paulo, Brazil
– “Como diz o outro’, Coletor, São Paulo, Brazil
– “Frente à Euforia’, Oficina Cultural Oswald de Andrade, São Paulo, Brazil
– “Vaguear, Transitar, Caminhar, Errar…’, Atelier Aberto, Campinas, Brazil
– CCBB Contemporâneo, Centro Cultural Banco do Brasil, Rio de Janeiro, Brazil
– “Empresa Colonial’, Caixa Cultural, São Paulo, Brazil
2014
– Exposição PIESP 2013-14 / Independent Program from Escola São Paulo, Casa do Povo, São Paulo, Brazil
– “Taipa-Tapume’, Galeria Leme, São Paulo, Brazil
– “Tatu: futebol, adversidade e cultura da caatinga’, Museu de Arte do Rio (MAR), Rio de Janeiro, Brazil
2013
– 13º SNAI, Casa Konder, Itajaí, Brazil
– “Até Aquele Momento’, Condominio Cultural, São Paulo, Brazil
– “Abre Alas 9′, A Gentil Carioca, Rio De Janeiro, Brasil
– “Espaços Independentes: A Alma É O Segredo Do Negócio’, Funarte, São Paulo, Brazil
2012
– “Outras Coisas Visíveis Sobre O Papel’, Galeria Leme, São Paulo Brazil
– 44º SAC, Pinacoteca Miguel Dutra, Piracicaba, São Paulo , Brazil
– “Surpraise 2012′, Ateliê 397, São Paulo , Brazil
2011
– “É Crédito Ou Débito?’, Circuito Sesc De Artes 2011, São Paulo, Brazil
– “Fase 3 Encuentro De Arte Y Tecnología’, Centro Cultural Recoleta, Argentina
– “Unfreeze’, Centro Britânico Brasileiro, São Paulo, Brazil
2010
– “Tateando O Redor’, Red Bull House Of Art, São Paulo,Brazil
– Festival Asim´Tria Vi, El Cultural, Arequipa, Peru
– 2nd Biennale of Young Art Russia, Mmoma, Moscow, Russia
2009
– 20th Mostra De Arte Da Juventude, Sesc, Ribeirão Preto, Brazil
– “Noves_Fora’, Beco Da Arte, São Paulo, Brazil
2008
– IX Bienal Do Recôncavo, Centro Cultural Dannemann, São Félix, Brazil
– “Verbo 2008′, Galeria Vermelho, São Paulo, Brazil
2007
– Festival Dispositivo, Paço Das Artes, São Paulo, Brazil
– Documenta 12 Magazines, Documenta12, Kassel, Germany
Residencies
2017
– Artists-in-Residence, Q21 Museums Quartier, Viena, Austria
– Casa Wabi, Oaxaca, Mexico
2016
– Residência Hotel Cambridge, São Paulo, Brazil
2014-2015
– Residência Tofiq House, Tofiq House, São Paulo, Brazil
2013
– Residência No Condomínio, Condomínio Cultural, São Paulo, Brazil
– Carta De Intenção, Proac, Campinas, Brazil
2010
– Red Bull House Of Art 2010, Red Bull House Of Art, São Paulo, Brazil
2007
– Atelier Amarelo, Atelier Amarelo, São Paulo, Brazil
Prizes
2017
– O.F.F. Prize, 20th Contemporary Art Festival Sesc_Videobrasil, Ostrovsky Family Fund (USA, Israel, Brazil), Brazil
– CNI SESI SENAI Award Marcantonio Vilaça 2017, Brazil
2016
– Prêmio FOCO Bradesco ArtRio 2016
2015
– 1st Prêmio CCBB Contemporâneo
2011
– 15th Cultura Inglesa Festival, Center for British Culture, São Paulo, Brazil
Collections
– Acervo Banco Itaú, São Paulo, Brazil
– Escola de Artes Visuais do Parque Lage, Rio de Janeiro, Brazil
– Fundação Joaquim Nabuco, Recife, Brazil
– MAC Niterói, Niterói, Rio de Janeiro, Brazil
– MAR – Museu de Arte do Rio, Rio de Janeiro, Brazil
– MASP – Museu de Arte de São Paulo, São Paulo, Brazil
– Museu Casa das Onze Janelas, Belem, Pará, Brazil
– Pinacoteca do Estado de São Paulo, São Paulo, Brazil
– Schoepflin Stiftung: The Collection, Lörrach, Germany
Video produced by Do Rio Filmes exclusively for PIPA 2018:
Video produced by Matrioska Filmes exclusively for PIPA 2016:
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