The chosen artwork is “Liberation 4.0”, 2018, video, 8′. The matters of individual freedom and self-determination are at the center of the work. Visit the Institute’s website at: http://www.institutopipa.com/
The exhibition delves into the world of navigation, drawing connections between the fluxes of maritime trade routes and the African diaspora in Brazil
The two curators evaluate how the digital increasing interferes in the exhibitions elaboration
(Cologne, Germany) The artist presents a world map made up of around 150 bottles
(Guatemala) The 22nd Bienal de Arte Paiz debates on the world situation, focusing on the Global South
(London, UK) The artist is now represented by Carlos/Ishikawa Gallery
(Nottingham, UK) The exhibition gathers together more than 40 works from the last 15 years, alongside a body of new work and a major site-specific commission
(Genève, Switzerland) By crossing different languages such as video installation, screen printing, sculpture, and photography, the artist seeks to renew her critical reading of modernist traditions through the prism of gender and identity politics
The chosen work is “Todos olham para os gatos #1”, a piece that talks about prejudice, gender violence and norms. Visit the Institute’s website at http://www.institutopipa.com/
(Brussels, Belgium) The group show was inspired by the recent conversation between Robert Barry and Ricardo Basbaum, arranged as part of Galeria Jaqueline Martins’ online Interview Program