(Busan, South Korea) The exhibition argues that the reasons why the state of existence of being a child is inevitably defined as that of being subject to discipline stem from modern rationales based on a belief in universal validity, and explores the crisis with which this once enlightened attitude is now confronted
Plastic artist and ‘carnival maker’ Leandro Vieira has been mixing art and the typical Brazilian holiday since 2015 and has won three carnival championships
(Madrid, Spain) The Brazilian galleries Mendes Wood DM, Galeria Vermelho, Jaqueline Martins, and HOA participate in this edition
(LA, USA) Featuring more than 120 galleries and an expansive program of artist projects, the fair takes place February 16–19 at the new location of Santa Monica Airport. Among the participating artists are Bruno Dunley, Jaime Lauriano, Lucia Koch, Manoela Medeiros and Patricia Leite
(Léon, Spain) Many of the works by the artists in the exhibition hall seek to unravel the moment in which the various doses of utopia enclosed in each project began to be revealed as unattainable
(Madrid, Spain) The exhibition proposes an approach to the Susana and Ricardo Steinbruch Collection
(Venice, Italy) The artist’s project will be titled “Super Superior Civilizations” and will explore “the diverse entanglements of our globalized existence that have been impacted by aspects such as postcolonial distortion”, according to the pavilion’s announcement
(Minneapolis, MN) The exhibition brings together software, video, and light-technology artworks from 19 international artists working at the forefront of digital and electronic art
(New York, USA) ‘What is recognized as ‘Art made in Brazil’, has been shaped by notions of coloniality and the archive, drawing upon a white-centric view of the world rooted in European rationality’, says Lorraine Mendes who wrote the critical text
(Dhaka, Bangladesh) A diverse array of over 160 artists and collectives explore Bangladesh’s nuanced relationship to words and water. Free to the public, the biannual (Feb 3 – 11) has become the global meeting point for research, discourse and engagement with South Asian art