Vitória Cribb

(this page was last updated in March 2023)

Rio de Janeiro, Brazil, 1996
Lives and works in Rio de Janeiro, Brazil

PIPA Prize 2022 nominee
PIPA 2022 Selected Artist
Member of the PIPA Prize Nominating Committee 2023

Cribb graduated from the Superior School of Industrial Design at UERJ, Rio de Janeiro, Brazil. Daughter of a Haitian father and a Brazilian mother, she has been creating in recent years digital and visual narratives that permeate techniques such as creation of 3D avatars, filters in augmented reality and immersive environments, using the digital environment as a means to explain her investigations and current issues covered by her subconscious. Vitória investigates the behaviours and developments of new visual/social technologies and transposes its thinking through the immateriality present in the digital.

In 2021, “@ilusion”, a film and digital installation by the artist, was mentioned and gained prominence in reviews such as XR panel from The Art Newspaper.

Among the exhibitions, the following stand out: The Silence of Tired Tongues (Framer Framed, Amsterdam, 2022); Oh I Love Brazilian Women (Apexart, New York, 2022); Segue em Anexo (National Museum of Republic, Brasília, 2022); Futuração (Galeria Aymoré, Rio de Janeiro, 2021); Disembodied Behaviors (Bitforms gallery, New York and Newart city Platform, online, 2020), The Brazil That I Want (Centre d’Art Contemporain Genève, online, 2020), Beginning of Century (Jaqueline Martins Gallery, São Paulo, 2019).

Website: www.vitoriacribb.cargo.site

Video produced by Do Rio Filmes exclusively for PIPA 2022:

Artworks

“@ILUSÃO”, 2020. Duration: 6’47”

“PROMPT DE COMANDO”, 2019. Duration: 10’47”

“@ilusão online installation”, 2020, interactive online installation, CGI objects and animation, sound, video. Disembodied Behaviors, Bitforms Gallery x Newartcity, Online, USA, 2020. See the work here.

“Frenesi Estático”, 2020, online installation, CGI animation, sound, infinity duration, BANALBANAL.COM, online, 2020. See the work here.

“W97M/MELISSA VIRUS”, 2020, online installation, CGI images, digital collage, sound, video, AINDAMTNADA.COM, online, 2020. See the work here.

Clipping

Critical Texts

Curriculum

Education
2020
– Superior School of Industrial Design (ESDI), State University of Rio de Janeiro (UERJ), Rio de Janeiro, Brazil

Group Exhibition
2022
– “Hotel Blue – A home for the virtual being of tomorrow”, Vellum LA / SVStudios LA – Los Angeles, USA
– “The Silence of Tired Tongues”, Framer Framed, Amsterdam, Netherlands
– “Que Prosiga”, Chashama, New York, USA
– “Semana sim, semana não: paisagens, corpos e cotidianos entre um século”, Casa Zalszupin, São Paulo, Brazil
– “Oh I Love Brazilian Women”, Apexart, New York, USA
2021
– “Segue em Anexo”, Museu Nacional da República, Brasília, Brazil
– “Creeper’s Luncheon”, Mock Jungle, Bologna, Italy
– “SUPER-NATURAL, Until the End”, MASSIMO Space, Milan, Italy
– “SUPER-NATURAL, OLHÃO”, São Paulo, Brazil
– “Skin Garden – Reconsider Flesh”, Outputfield, online at Newart.city platform
– “_origins”, Blackbeyond, online at Newart.city platform
– “Futuração”, Galeria Aymoré, Rio de Janeiro, Brazil
2020
– “O BRASIL QUE EU QUERO”, 5th Floor, Centre d’Art Contemporain Genève, Genebra, Switzerland
– “Disembodied Behaviors”, Bitforms Gallery, New York, USA
– “Disembodied Behaviors’, online at Newart.city platform
– “ZAZCorner x LightboxLive”, ZAZ10ts Gallery, Times Square, Broadway, New York, USA
2019
– “Epicentre”, The Wrong Bienalle, Spain
– “What Do We Do Now”, The Wrong Bienalle, Casino Notabile, Rabat, Malta
– “What Do We Do Now”, The Wrong Bienalle, Online
– “Começo de Século”, Galeria Jaqueline Martins, São Paulo, Brazil
2018
– “In.corpo.rar”, Centro de Artes UFF, Niterói, Brazil

Festivals
2022
– “Hotel Blue”, SXSW, Austin, Texas, USA
2020
– “Desver”, Festival de Cinema Universitário do Mato Grosso do Sul, Brazil
2019
– “Fastline”, ArtNight Festival London, London, United Kingdom
– “Eneagrama”, Festival de Cine Experimental, Casa Colectiva Revolución, Córdoba, Argentina

Special Projects
2021
– “Transe”, with “OLHÃO”, organizado por Fortes Daloia Gabriel, São Paulo, Brazil (online)
2020
– “Frenesi Estático”, with “banalbanal.org”, São Paulo, Brazil (online)
– “W97M MELISSA VIRUS”, with “AINDAMTNADA”, online installation, aindamtnada.com

Public Collections
2021
– Collection ARTEMÍDIAMUSEU, Nacional Museum of Republic, Brasília, Brazil

Artist Publications
2021
– Illustration for article on Transition Magazine, issue 129, Hutchins Center at Harvard University, USA

Artist's text